Browse some recent Origin Reviews.
Corey Christiansen - Outlaw Tractor
by Michael G. Nastos, All Music Guide
Warmth oozes out of the music on this CD created by guitarist Corey Christiansen and his quartet, a comfy blend of contemporary jazz, bop or post-bop, and soul-jazz. Organist Pat Bianchi and saxophonist David Halliday create that feeling, playing unison lines that, between the three instrumentalists, give the listener a comfort zone that is both refreshing and accessible, given the more complex music modern jazz usually offers up. To say it's... read more
Ira Sullivan & Stu Katz - A Family Affair - Live at Joe Segal's Jazz Showcase
by William Carey, All About Jazz
Some numbers to ponder. Saxophonist/trumpeter Ira Sullivan is 80 years old; vibraphonist Stu Katz is 74. 57 years. That is how long Ira Sullivan and Stu Katz have been making music together. 64 years. The number of years that Joe Segal's the Jazz Showcase has been featuring great jazz. In 1954, the year Bill Haley and the Comets recorded "Rock Around the Clock," two fine young jazz musicians first got together in their adopted hometown of... read more
Dee Daniels - Intimate Conversations
by Christopher Loudon, JazzTimes
Last year's aptly titled State of the Art teamed Dee Daniels with an ace quartet anchored by pianist Cyrus Chestnut. For Daniels' encore, her 10th studio album as leader, Chestnut is again onboard, but as one in a spectrum of stellar guests. As its name implies, Intimate Conversations places Daniels in cozy duo and trio settings, also featuring Martin Wind, Wycliffe Gordon, Ken Peplowski, Russell Malone, Ted Brancato, Houston... read more
Brad Goode - Polytonal Big Band: The Snake Charmer
by Editor, Rondo Magazin (Germany)
Brad Goode, born in Chicago in 1963, is one of the most versatile and idiosyncratic trumpeters in US jazz. After classical training and studies with Vince DiMartino and Larry Gray, he made a name for himself in the Chicago scene from the mid-1980s, playing with greats such as Von Freeman, Eddie Harris and Jack DeJohnette. In addition to playing the trumpet, he has mastered bass, drums and keyboards and now teaches at the University of Colorado.... read more
Dan Dean - Fanfare for the Common Man
by Ron Schepper, Textura
Having distinguished himself in a career spanning decades as a bassist, composer, producer, and recording engineer, Dan Dean turned his attention four years ago to the creation of classical pieces using purely vocal means. The artistic success of Songs Without Words encouraged him to fashion a successor, which brings us to the glorious Fanfare for the Common Man. It couldn't be any more of a solo project: using overdubbing to assemble his voice... read more
Lynn Bush with New Stories - Still Life
by Christopher Loudon, Jazz Times
Lynn Bush, yet another of the fast-growing roster of formidable singers from the Seattle area, makes her recording debut with Still Life (Origin), an evocative collection of time-honored standards. Though blessed with a smoky voice that recalls the alluring sang-froid of Julie London, Bush is decidedly more robust than the perpetually horizontal Miss Julie. Backed by a masterful rhythm section comprised of pianist Marc Seales, bass player Doug... read more
Kim Richmond / Clay Jenkins Ensemble - CrossWeave
by Dan McClenaghan, All About Jazz
CrossWeave's opener, Troubleshooter," drives in on a tight rhythm groove that leads into some clean three horn harmony by trumpeter Clay Jenkins, alto saxophonist Kim Richmond, and tenor sax man Rich Perry, with a sound that harkens back to the classic Blue Note Records days, some of those classic sets by Lee Morgan and Art Blakey. A tight, shining ensemble mode with sharp soloing all around.
CrossWeave is the third disc by the... read more
Wellstone Conspiracy - Motives
by Dan McClenaghan, All About Jazz
This ensemble might have been labeled the Brent Jensen Quartet. They recorded One More Mile under the Idaho-based saxophonist's name. For their album Motives, however, they are calling themselves the Wellstone Conspiracy as they delve deeper into a melodic music that is steeped in the modern harmonic concepts of Herbie Hancock and Wayne Shorter.
The set opens with Jeff Johnson's grainy, guitar-like bass lines on the Jensen-penned "Bye Bye... read more
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