Origin Records Reviews



Wellstone Conspiracy - Motives
by Doug Simpson, Audiophile Audition

What is the Wellstone Conspiracy? For some political intrigue junkies it alludes to the 2002 death of liberal Senator Paul Wellstone who perished in a small plane crash which some pundits believe was caused by an assassination scheme. For Pacific Northwest jazz fans, however, Wellstone Conspiracy is a skilled quartet which formed in 2006 to back up Idaho-based soprano saxophonist Brent Jensen. The musicians were last heard together on Jensen's... read more

Chad McCullough - Dark Wood, Dark Water
by Dan McClenaghan, All About Jazz.com

Seattle-based trumpeter Chad McCullough has assembled a North-West all-star line-up for his debut release, Dark Wood, Dark Water, mixing it up with Origin Records regulars on an inspired, modern-leaning post-bop outing.

On "Three Pillars," a silky three-horn harmony blows in like a brisk wind in the embrace of the top-tier rhythm team of bassist Jeff Johnson, pianist Bill Anschell and drummer John Bishop. McCullough and his... read more

Clay Giberson - Minga Minga
by Dan McClenaghan, All About Jazz

4 STARS From the mouth of his young daughter came the four playful syllables that don't mean a thing in the adult world, but Portland, Oregon-based pianist Clay Giberson took the idea - and the momentous event of the birth of his child - and went into the studio to record solo, every day for two weeks. The result is Minga Minga.

Giberson's association with Origin Records has been a fruitful one, featuring a double handful of... read more

Ben Paterson - For Once In My Life
by George W. Harris, Jazz Weekly

B3 player Ben Patterson keeps the keys warm and supple here, forming a nifty trio with Peter Bernstein/g and George Fludas/dr. He has a soft touch on the keys, preferring to let the speakers hum instead of cry, and it works well on this mix of originals and soulful covers. The team percolates on Ray Bryant's "Cubano Chant" and shows its blues hues on the rarely explored read of Sonny Rollins' "Decision." Bernstein is his usual adroit self on the... read more

Keigo Hirakawa - Pixel
by Neil Duggan, All About Jazz

Science and jazz do not come up too often in the same conversation. Even more unlikely is that spatio-spectral colour filter array design will feature. Unless you happen to be talking with the Ivy League-educated researcher and professor at the University of Dayton, Ohio, Keigo Hirakawa. His work in image processing is part of a major research initiative at the university. More pertinently, in his other career, he has a Master of Music degree... read more

Human Spirit - Dialogue
by Bill Milkowski, Jazz Times

Trumpeter Thomas Marriott joins alto saxophonist Mark Taylor, pianist Orrin Evans, bassist Essiet Essiet and drummer (and Origin label head) Matt Jorgensen on this solid, cooperative live album. Marriott and Taylor make a formidable frontline on such modernist fare as Jorgensen's turbulent "Ridgecrest," Marriott's uptempo "Song for Samuel" and his blistering hard-boppish romp "Pelham Gardens." The band settles into a soulful groove on... read more

Bill Anschell - Improbable Solutions
by Abe Beeson, KNKX - The New Cool

Pianist Bill Anschell has established himself as a dynamic bandleader and able accompanist around his native Puget Sound region. But with his new release, Improbable Solutions, Anschell leaves the acoustic piano behind and digs deep into the possibilities of electronically produced music.

New Cool host Abe Beeson spoke with Anschell recently about his new album, which isn't his first foray into the world of electronic music.

A... read more

Robby Ameen - Diluvio
by Jack Bowers, All About Jazz

It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's "Line for Lyons" and John Coltrane's "Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of... read more

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