Origin Records Reviews



Upper Left Trio - Sell Your Soul Side
by Paul Pelon IV, Audiophile Audition

Not all Jazz Trios can tear it up, The Upper Left Trio's album Sell Your Soul Side is like a frog in a blender. These cats know where it's at! The perfect spot for it is on this album.

Right down to the album artwork, Sell Your Soul Side is one of the freshest albums I've seen and heard all year. The laid back flow of the entire album is flawlessly mixed. My favorite track Comrade Camenzine is a 10-minute jam session that is smoother than... read more

John La Barbera Big Band - Grooveyard
by Jack Bowers, All About Jazz

4 1/2 STARS Composer/arranger John La Barbera has been at the top of his game for more than half a century, and Grooveyard is simply another example of his undiminished artistry. Besides arranging everything—superbly, as always—La Barbera wrote six of the session's ten charming songs, escorting other treasures by Carl Perkins, Dave Brubeck, Curtis Fuller and Elvin Jones.

As he writes his handsome and colorful big-band charts, La... read more

Bill Anschell - Improbable Solutions
by Dan McClenaghan, All About Jazz

4-STARS Most fans of Seattle-based pianist Bill Anschell will not see this one coming. His comfort zone on his own recordings has been as a mainstream acoustic jazz artist, on albums like Shifting Standards (2018), a piano trio affair, Rumbler (2017) and Figments (2011), a solo piano outing. All of these were released on Origin Records.

Anschell, who formerly worked as vocalist Nnenna Freelon's musical director, crafts his recordings... read more

Josh Nelson - The Sky Remains
by Kirk Silsbee, Downbeat

****
Pianist Josh Nelson thinks big. His own projects, showcased so far in clubs only, are multi-media affairs with scenery and video projections to live music The music for these phantasmagoria is equally expansive, often revolving around Los Angeles history, science fiction and things celestial. The son of a Disney imagineer, he sees the town as the ultimate thrill ride. Nelson's triumph is essaying his personal obsessions in ways so... read more

Amit Friedman - Unconditional Love
by Jack Bowers, All About Jazz

Once upon a time, jazz, an American creation, was confined for the most part within its borders. But that was once upon a time. Today, any barriers that once kept jazz within a prescribed realm have long since vanished, and the music Americans once embraced as their own has flourished around the world, performed with increasing awareness and dexterity by artists who have built upon the patterns created in the land of its birth to weave colorful... read more

Bobby Broom - Bobby Broom Plays for Monk
by Joe Bendel, The Epoch Times

Like an ambitious ice-skating jump, interpreting the music of Thelonious Monk carries a high degree of difficulty for jazz artists, but those who nail it, are guaranteed to make a lasting impression. Yet, Bobby Broom makes it sound easy as pie on Bobby Broom Plays for Monk, his refreshingly laidback new CD tribute to the legendary composer-pianist.

Though he was only twelve years old when Monk retired from music in 1973, Broom could claim an... read more

Aaron Immanuel Wright - Eleven Daughters
by Jason Bivins, Cadence

Eleven Daughters is a nice modern mainstream set, with just the right touch of funk and dissonance to recall some mid-1960s Jackie McLean to my ears. The leader plays with the kind of agile muscularity of, say, Michael Formanek and he pairs really well with Menendez, who crackles throughout. Grant and Willcox are both fairly brooding presences, though that's not at all meant as a negative. Together, the group contains a winning assemblage of... read more

John Stowell | Michael Zilber - Shot Through With Beauty
by Mike Joyce, JazzTimes

Fans of John Scofield's '90s recordings should find much to enjoy on 'Shot Through With Beauty,' and not merely because the album features a new quartet led by guitarist John Stowell and saxophonist Michael Zilber personalizing two sharply contrasting Scofield compositions, "Wahasb III" and "The Beatles." The former tune boasts an arrangement with twisting harmonized lines, guitar and sax solos that shrewdly bridge R&B swagger and post-bop... read more

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