Browse some recent Origin Reviews.
David Sills - Eastern View
by Adam Greenburg, All Music Guide
On his first album as a proper lead for Origin, saxophonist David Sills is taking the opportunity to reflect upon his time in "The City" after a stay in New York (though his own usual locale is also a major city, LA has a different vibe to say the least). The all-original compositions here take a special effort to touch upon the New York aesthetic in many ways, but offset the busyness somewhat with a light touch on the guitar, a particularly... read more
Milan Verbist Trio - Time Change
by Editor, Bman's Blues Report
I just had the opportunity to review the most recent release, Time Change, from the Milan Verbist Trio and it's a solid set of tracks from introspect to lively. Opening with title track, Time Change, a somber yet insightful composition with Milan Verbist creating a calming presentation, adorned by Jens Meijer's light drum work. Toon Rumen takes the lead on bass with a standout melodic solo adding strong contrast to the track. Bop track, No, I... read more
Marlene Rosenberg - Bassprint
by Ric Bang, Jazz Scan
Relatively few women embrace the acoustic bass; Marlene Rosenberg ? a ?territory? artist born, raised and schooled in Illinois ? has done just that.
Although she has played professionally throughout the world, she performs and teaches primarily around Chicago. She began studying clarinet at the age of 10, switched to electric bass in high school, and finally settled on the acoustic instrument while attending the University of Illinois. She... read more
Nnenna Freelon - Beneath the Skin
by George W Harris, Jazz Weekly
Ringer of the Week! Vocalist Nnenna Freelon has had a career that could easily be divided into two eras. Her early career had her create albums that mixed soul, R&B and smooth jazz in an irresistible fashion. Around 2012, she seemed to have taken a break from recording and touring, and has since returned to the scene with a more reflective, thoughtful and world-wise fragrance to her sound. This recent release with Alan Pasqua/p-key,... read more
Anthony Branker & Word Play - Dialogic
by Thomas Erdmann, JazzReview.com
Founder and Director of the Program in Jazz Studies, and Associate Director of the Program in Musical Performance at Princeton University, Anthony Branker also directs ensembles and teaches courses in jazz theory, improvisation and composition, jazz performance practice in historical and cultural context, jazz composition, and jazz history. A U.S. Fulbright Scholar and visiting professor at the Estonian Academy of Music and Theatre in Tallinn,... read more
Michael Bisio & Timothy Hill - Inside Voice / Outside Voice
by Peter Aaron, Chronogram
The title of this heart-stopping collaboration by Gloversville bassist Michael Bisio (Matthew Shipp Trio) and Beacon vocalist and acoustic guitarist Timothy Hill is rich in layered meaning. Recorded in one continuous take—with no edits or pauses—this sublime set takes its sweet, soft time meandering through jazz standards (Coleman's "Law Years," Coltrane's "Wise One"), Great American Songbook ballads (Cahn and Styne's "I Fall in Love Too... read more
Seattle Repertory Jazz Orchestra - The Endless Search
by Don Mather, MusicWeb International UK
Jimmy Heath is one of the great tenor saxophone players in jazz and he is also a very skilled arranger and composer. He has played in many of the most famous groups in jazz as a sideman and soloist and also served many, including Dizzy Gillespie, as composer/arranger. From his soloing on this record alone it is easy to see why he has such an enviable reputation. His improvisations are exquisite and worth the price of the album on their own. The... read more
Benjamin Boone - The Poets Are Gathering
by Brenda Nelson-Strauss, Black Grooves
Composer-saxophonist Benjamin Boone continues his fascination with poetry and jazz on his latest album, The Poets Are Gathering. The Cal State University Fresno professor, who has released two previous collections devoted to this pairing, notes that jazz and poetry have been inextricably linked since the Harlem Renaissance. Following the tradition of artists such as Langston Hughes and Charles Mingus, who collaborated on the album Weary Blues... read more
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