Browse some recent Origin Reviews.
Rich Thompson - Who Do You Have to Know?
by Editor, Jazz Rochester
Welcome to the first in what I hope will be a growing series of posts about new albums being put out by one of the talented jazz musicians or groups in and around Rochester, NY. The first is by local drummer (and Eastman professor) Rich Thompson, who is asking that perennial question of those breaking into anything new with his new album Who Do You Have to Know? on Origin Records out of Seattle, Washington. The quartet on the album includes... read more
Brad Goode - Chicago Red
by Dan Bilawsky, All About Jazz
Trumpeter Brad Goode may be approaching a decade spent in Boulder, Colorado, but his heart will always belong to Chicago. Goode was born in The Windy City and, though the twists and turns of life took him elsewhere, he returned there to do his master's degree at DePaul University and launch his career. He held court at the legendary Green Mill from the mid-'80s through the late '90s, holding down a weekly gig that would often find hometown... read more
Chris Walden Big Band - No Bounds
by Tony Augarde, MusicWeb International
Too many big band recordings sound the same, using hackneyed techniques and voicings. But this album sounds different right from the very start -- an imaginative arrangement of David Foster's Winter Games. The ensemble sound is a knockout, possibly because Chris Walden uses six trumpets and five trombones, creating a rich and rare depth to the music.
The solos in between the ensembles are more conventional but all skillfully played,... read more
Thomas Marriott - Trumpet Ship
by George W Harris, Jazz Weekly
Thomas Marriott floats his horn with modern ellipticism on this quartet date with Orrin Evans/p, Luques Curtis/b and Mark Whitfield Jr/dr. The team hovers on a dainty "All the Things You Are" while the team shows its rapid fire with Marriott going mano a mano with Whitfield on the loose "Funny Uncle". Dark hues by Evans meld with Marriott's muted horn on the richly hued ballad "148 Lexington" as well as on the sepia toned "Behind The Beard"... read more
Scott Reeves Jazz Orchestra - Without a Trace
by Doug Ramsey, Rifftides
Reeves' second big band album for Origin features players in the top level of New York musicians. Saxophonists Steve Wilson, Vito Chiavuzzo, Tim Armacost and Rob Middleton are among the impressive soloists, along with trombonist Matt Haviland, trumpeter Andy Gravish, pianist Jim Ridl, and Reeves on flugelhorn and trombone. In Reeves' title tune Carolyn Leonhart's vocal is cool, contained and flawlessly delivered, however mundane the lyric. She... read more
Michael Zilber - East West: Music for Big Bands
by Jack Bowers, All About Jazz
On East West, his first-ever big-band enterprise, Canadian-born saxophonist Michael Zilber leads world-class ensembles in New York City and San Francisco, which speaks volumes about his artistry and gravitas. Zilber not only plays saxophone on both bands, he composed eight of the fourteen numbers on this handsome two-CD set and arranged all of them.
Even while playing and recording in smaller groups on both coasts and in Canada, Zilber had... read more
David Friesen - Structures
by Dave Rogers, WTJU - Richmond
Double disc release from bassist / pianist / composer arranger Friesen offers two duo performances on this set: he plays bass and piano with Joe Manis (tenor, soprano sax) on the first disc and bass with Larry Koonse (electric guitar). All compositions were written by Friesen. The textures are notably different as you might expect, but the suppleness of the players stands out either way. The softness of the guitar tone gives that disc a mellower... read more
twopool - Traffic Bins
by Jayson Greene, emusic Review
Quartet of alto sax, trombone, drums, and cello for some serious avant-garde music. Chaotic free jazz interspersed with sublime classical interludes. If you need a dissonance fix, stop here and... read more
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