Browse some recent Origin Reviews.
Doug Scarborough - The Color of Angels
by George W Harris, Jazz Weekly
RINGER OF THE WEEK Glorious musical journeys to far a way lands both acoustic and electric are delivered by trombonist Doug Scarborough and his wide ranging team of violinist Akram Abdulfattah, pianist Jeremy Siskind, bassist Damian Erskine, drummer Reinhardt Melz and Mustafa Boztuy on the hand percussive darbuka. The themes range widely, going from a table dance between the leader and Siskind on "Imaginal Cells" to a get down funk fest... read more
Robby Ameen - Diluvio
by Jack Bowers, All About Jazz
It's a given that wherever Grammy-winning drummer Robby Ameen goes, irrepressible rhythm is sure to follow. Diluvio, Ameen's third album as leader of his own ensemble, is clearly no exception to the rule. Ameen's half-dozen compositions are intrepid and lively, and even Gerry Mulligan's "Line for Lyons" and John Coltrane's "Impressions," which seal the album, are given bright rhythmic makeovers in keeping with the leader's metrical frame of... read more
Karrin Allyson - A Kiss for Brazil
by Andrew Gilbert, The Mercury News
No matter where you find Karrin Allyson, it's a sure bet that she's keeping the best company.
One of jazz's great polyglot vocalists — she's honed an extensive repertoire of songs in French and Portuguese — the New York City-based singer plunges back into the Brazilian songbook on her new album "A Kiss for Brazil" (Origin Records). It's a musical journey she's made before, most conspicuously on 1999's alluring "From Paris to Rio" and... read more
Emi Meyer - Monochrome
by Bobby Reed, Downbeat
With her U.S. debut, Monochrome, singer-songwriter Emi Meyer has crafted a gem that will greatly expand her international fan base. Born in Kyoto to a Japanese mother and an American father, the Tokyo-based Meyer has released several albums in Japan, and her music has appeared on the soundtrack to Japanese director Nobuhiro Doi's film Flying Colors and in the States on the TV shows Awkward and Younger. Though Meyer has often sung... read more
Karrin Allyson - A Kiss for Brazil
by Eg'dio Leitão, Música Brasileira
A Kiss for Brazil is not Karrin Allyson's first incursion into Brazilian music. I would not need to list her previous albums here to convince you she truly has an affinity for the Brazilian songbook.
Karrin Allyson (1962, Great Bend, Kansas) does not shy away from singing in Portuguese or choosing a less obvious repertoire from the Brazilian songbook. Her 1999 From Paris to Rio album first caught my attention. The CD had several Bossa Nova... read more
Bobby Broom - My Shining Hour
by Stephen Graham, Marlbank.net
The very coolest jazz guitarists can burn when it's not obvious. They don't need to show off. But somehow there's a tipping point, the rhythm changes and tentative narrative forays up and down the frets turn into paragraphs, pages and chapters, the characters are created and the music speaks to you via the guitarist's imagination in real time. Eddie Lang, Django, and Charlie Christian started the ball rolling in this regard but thankfully... read more
Andrea Brachfeld - Brazilian Whispers
by Peter Gamble, Jazz Journal (London)
This release is intended as a tribute to Antonio Carlos Jobim and seven of the tunes are attributable to the Brazilian master, with the roster being completed by three Brachfeld and O'Connell originals, whilst not forgetting Never Let Me Go.
Brachfeld's flute playing is full of purity, totally appropriate for bossa-nova and its offshoots, as is the alto flute briefly giving an airing.
The flautist, here presenting her ninth album, has... read more
Greta Matassa - The Smiling Hour
by Jay Collins, Cadence, Jan-Mar 2008
The thrid release from Seattle-based Greta Matassa, who delivers her ten-song opus on "The Smiling Hour," favors a smoky, whisper-like delivery that matches the ambiance of this mostly laid-back affair, though several tracks demonstrate her considerable breadth. Matassa's stated goal is to take the listener through a "pleasant day," with bright beginnings and a reflective quietude at its conclusion. Contemporary songwriters are an obvious... read more
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