Browse some recent Origin Reviews.
Abate Berihun & The Addis Ken Project - Addis Ken
by George Harris, Jazz Weekly
I'm sure you've heard of "Afro-Cuban" music, but here we've got Abate Berihun singing and playing the saxes bringing in "Afro-Levant" sounds, mixing Middle East tones with earthy ideas with Roy Mor/p, David Michaeli/b and Nitzan Brinbarum/dr-perc. Rudi Barinesay adds extra vocals for the modal chant of '"Behatitu Kaedus Kadus" and more traditional, folk toned "Adam (Human)". Berhihun mixes a cantoral chant with passionate tenor work on "Batti"... read more
Anne Drummond - Revolving
by Hrayr Attarian, Jazziz
Flutist and pianist Anne Drummond's third album as a leader, Revolving, is breezy, lyrical and quite enchanting. That's not to call it artistically lightweight or categorize it as easy listening. On the contrary, her pastel-colored compositions are like impressionistic paintings and sketcher depicting spaciousness with deceptively simple lines.
A vaguely mystical sensibility permeates the title track. Drummond's agile flute flutters over lush... read more
Todd Bishop - Travelogue
by George W. Harris, Jazz Weekly
Here's a well-centered post bop jazz quartet for you. Todd Bishop handles the drums here, and leads from behind much more effectively than Barack Obama with a team of Chris Higgins/b, Richard Cole/sax-cl-fl and Jasnam Daya Sing (Weber Iago)/keys. The band goes back and forth between acoustic and electric, with the former sounding like a bunch of Headhunters on the funky "Only Shallow" and Cole's bass clarinet slithering along on the... read more
Deep Blue Organ Trio - Folk Music
by Jeff Krow, Audiophile Audition
A new release from the Deep Blue Organ Trio is always cause for celebration, and their new Origin Records release is no exception. The Deep Blue Organ Trio (DBOT) is much more than the typical Hammond organ trio - guitar, organ and drums - in that they have the Hammond groove down pat as one would expect with a group of their longevity (performing under their name since around 2000), but they go way beyond the usual Hammond trio repertoire. The... read more
Diego Barber & Hugo Cipres - 411
by Dave Sumner, Bird is the Worm
Guitarist Diego Barber burst onto the scene with the 2009 release Calima, an album with an expansive sound enveloped in a rustic serenity, courtesy of Barber's use of classical guitar in a jazz setting. He continued that sound with the 2011 release The Choice, an album that saw him move from the sounds of wide open spaces and into an environment in which his guitar work could display a tighter focus and sense of detail.
His evolution as... read more
Bruce Barth Trio - Dedication
by Josh Jackson, WRTI/WBGO Fall Jazz Preview 2022
Bruce Barth, who teaches at Temple University, is himself an earnest and dedicated student of the music. The pianist's understated manner has kept him a secret in plain view for decades. Look no further than Dedication, a collection of original material shaped for his trio with bassist Vicente Archer and drummer Montez Coleman, whose recent, untimely death partly inspires the album's title. There are also bright tributes to McCoy Tyner and Tommy... read more
John Stowell | Michael Zilber - Live Beauty
by Jason Bivins, Cadence
Live Beauty is filled with fine, probing modern mainstream that has a wide rhythmic range of reference but a lyrical heart. From instrumentation to idiom, it's indebted to sessions from the likes of Abercrombie/Surman and Scofield/Lovano, two key points of influence that shouldn't require any positive elaboration. Stowell is based in Portland, and Zilber's from the East Bay, and it's nice that they're documenting their longstanding collaboration... read more
Brittany Anjou - Enamigo Reciprokataj
by Mel Minter, Musically Speaking
When an improvising jazz musician relaxes the reins and lets the music go where it wants, the level of excitement can jump dramatically. Spitfire pianist/composer Brittany Anjou does just that on her new album, Enamiĝo Reciprokataj (pronounced en-äh-mee-joh reh-sih-pro-käh-tye and roughly translated from the Esperanto as either "reciprocal love" or "mutual breakdown"). Throughout the album's 10 original compositions, written across 13 years,... read more
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