Browse some recent Origin Reviews.
Bridge Quartet - Night
by Dan McClenaghan, All About Jazz.com
For jazz fans with some historical listening under their belts, the word "Bridge" will bring to mind Sonny Rollins' album, The Bridge (Bluebird/RCA, 1962), a set that Rollins released after a three-year hiatus, and changed the saxophonist's musical trajectory from Ornette Coleman-influenced freedom to a more traditional mainstream, but still adventurous, sound.
The Bridge Quartet works very much in that Rollins-esque, post-Bridge mode. It's... read more
David Friesen and Glen Moore - Bactrian
by Dan Bilawsky, All About Jazz
Time and space can take nothing away from certain musical relationships. There are those on-and-off partnerships that flourish regardless of the frequency of encounters and years gone by, and this is clearly one of them.
The connection between bass masters David Friesen and Glen Moore goes back some five decades. It yielded two previous duo recordings - In Concert (Vanguard, 1977) and Returning (Burnside, 1993) - and it continues to bear... read more
David Friesen Circle 3 Trio - Triple Exposure
by , Ancient Victorys
This is the second CD of Friesen with his current Circle 3 Trio with Friesen on bass, Greg Goebel, on piano, and Charlie Doggett on drums, with all the music created by David Friesen, almost seventy minutes of creative improvisation.
This trio plays around the Portland, Oregon area (when Friesen is not on international or national tour or instructional events) with regular weekly gigs, and they have a tight sound, are well aware of each... read more
Rodney Whitaker with the Christ Church Cranbrook Choir - Cranbrook Christmas Jazz
by Chris Spector, Midwest Record
This is such a tour de force recording that it's hard to know where to start---and it shouldn't be enjoyed just around Christmas. The bass ace rounds up family and friends, brings in a Detroit crew that is tops at what they do, picks songs that play out the history of Christmas and play the whole thing is a most top shelf way. We need a lot more teachers like Whitaker out there and we need them in all subjects. Amazing stuff that makes it the... read more
Hal Galper - Live at the Berlin Philharmonic, 1977
by Editor, BBC Music Magazine
5-STARS This two-disc release has come about as a result of Galper sifting through his archives a couple years ago. It was a session well worth rescuing. Although dating back 44 years, it recalls when Galper was already established as a highly-regarded player, almost part of the jazz-scene furniture and thus sometimes unfairly overlooked. This concert (plus one track recorded just a few months later in January 1978) finds him on... read more
Michael Dease - City Life: Music of Gregg Hill
by Paul Rauch, All About Jazz
4 1/2 STARS Michigan-based composer Gregg Hill is on a remarkable roll, authoring an impressive run of compositions represented on eight albums released on the Origin Records label. Each has featured a bandleader associated with the top shelf staff at Rodney Whitaker's jazz program at Michigan State University. City Life (2025) is the third under the leadership of trombone great Michael Dease. The two-disc release includes 19... read more
Ben Thomas Tango Project - The Hat with the Grin and the Chuckle
by Thierry De Clemensat, Paris Move
5 STARS Ben Thomas and the Future of the Bandoneon: A Cultural Mirage in Motion.
Astor Piazzolla didn't merely master the bandoneon, he redrew its boundaries. In sound, in form, in phrasing, he etched into musical history an invisible yet indelible rulebook, shaping what the instrument was and what it could be. For decades, those contours held firm, as musicians followed the trail Piazzolla had blazed with reverence, if not... read more
Rodney Whitaker - Mosaic: The Music of Gregg Hill
by Ayana Contreras, DownBeat
4-STARS From the opening title track, this album is a declaration of mastery. It's also a formidable showcase to the collective strength of this combo as well as of Gregg Hill's compositions: It's all killer, no filler. "Mosaic" is a bouncy, juicy number held down by the alchemy present in the interplay between Whitaker's walking bass line that's sharp as a fresh straight razor and Dana Hall's simply effervescent drumming style. Each... read more
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