Browse some recent Origin Reviews.
Bill Anschell - Rumbler
by Thomas Conrad, JazzTimes
Jazz has always been rife with rumors about great players hidden in backwater towns. Seattle, Wash., is no vantage point of New York City, where jazz reputations are made and lost. From New York, Seattle is somewhere on the left edge of the Earth―perhaps near Siberia.
Bill Anschell would be a badass wherever he lived, even Greenwich Village. He is an impeccable, distinctive pianist with a valuable body of work on Seattle's Origin... read more
Matt Otto - Red
by Kevin Cox, Jazz Review
Tenor saxophonist Matt Otto's latest release, Red, is an intriguing collection of 8 original compositions. Otto, now based in Los Angeles, is joined here by a trio of friends from his years on the New York scene. On this disc, Otto and his band have crafted a sound that is immediately enjoyable, and increasingly impressive with each subsequent listening. Mid-tempo grooves and pensive ballads, all of the songs share a certain haunting,... read more
Jeff Johnson - My Heart
by Georges Tonla Briquet, Jazz'halo (Belgium)
Lost Recordings.... A "live" recording dating back to December 4, 1991 when tenor saxophonist John Gross, pianist Art Resnick, drummer Billy Mintz and bassist Jeff Johnson got to work together at Falcon Studios in Portland, Oregon.
On the program all compositions by Johnson ranging from razor-sharp bop with solos by the four musicians ('Linden Station') to ballads with jagged corners ('Leviathan'), mid-tempo swing... read more
Chris Walden & the LMR Jazz Orchestra feat. Tierney Sutton & Kurt Elling - Missa Iubileum Aureum: Golden Jubilee Jazz Mass
by Jack Bowers, All About Jazz
4-STARS First things first: there is no doubt that Chris Walden's reverential Missa Iubileum Aureum ("Golden Jubilee Jazz Mass") is beautifully written and wonderfully performed by the LMR Jazz Orchestra, St. Dominick's Schola Cantorum and cantors Kurt Elling and Tierney Sutton. Is it jazz? That is another question, one not so easily answered. While there are elements of jazz, they are incidental and generally overshadowed by the more... read more
Steve Korn - Points in Time
by Dan McClenaghan, All About Jazz
This one, more than most sets that come this way, reveals itself in successive layers. Melody didn't initially assert itself to these ears. It was there, in dreamy post bop permutations, but it was the harmonies that grabbed me from the start. Drummer Steve Korn and company explore unusual and engaging harmonic frameworks, and I spent a couple of spins of the disc absorbing those and wishing for a deeper grounding in the technicalities of music,... read more
Karrin Allyson - A Kiss for Brazil
by Andrew Gilbert, The Mercury News
No matter where you find Karrin Allyson, it's a sure bet that she's keeping the best company.
One of jazz's great polyglot vocalists — she's honed an extensive repertoire of songs in French and Portuguese — the New York City-based singer plunges back into the Brazilian songbook on her new album "A Kiss for Brazil" (Origin Records). It's a musical journey she's made before, most conspicuously on 1999's alluring "From Paris to Rio" and... read more
Mimi Fox - Standards, Old & New
by C. Michael Bailey, All About Jazz
Guitarist Mimi Fox's nearly 30-year career has produced several solo standards recitals. Standards, Old & New steps out of the box for some not-so-standard standards from the folk realm (pastoral arrangements of Woody Guthrie's "This Land is Your Land," The Beatles' "She's Leaving Home" and Bob Dylan's "Blowin' In The Wind") and more recent jazz (a marching rendition of pianist Chick Corea's "500 Miles High").
Fox received... read more
Inbar Fridman - Time Quartet Project
by Ian MacGregor, Jazz Guitar Society of Western Australia
Inbar Fridman is an Israeli jazz guitarist who studied at William Patterson University in the US and is now based back in Israel. She has teamed up with some fine French musicians including pianist Camelia Ben Naceur, bassist Laurent Chavoit and drummer Stefano Lucchini to produce a very nice album. She has shared the composing of half the original tunes with pianist Camelia Ben Naceur. She plays a Gibson 335 on all the tunes except ?No Palm... read more
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