Browse some recent Origin Reviews.
Joonsam - A Door
by Travis Rogers, Jr., JazzTimes
It's hard to improve on a trio that features Aaron Parks on piano and Nate Woods on drums but, when bassist Joonsam Lee was ready to release his debut album as a leader, he beefed up an already formidable line-up by adding Ralph Alessi on trumpet, Yvonnick Prene on harmonica, Ben Monder on guitar, and the fascinating additions of Yeahwon Shin on vocals and Chungeun Han on the bamboo flute. The trio, however, remains the core.
Released on... read more
Richard Sussman - Live at Sweet Rhythm
by Dan Bilawsky, All About Jazz
Life has few certainties, but the constant and ever-moving nature of time is one of them. Events, both miniscule and monumental, pass by and usually leave nothing more than a memory or, in the case of music, a record. Such was the case with pianist Richard Sussman's Free Fall (Inner City Records, 1978). Joined by some burgeoning young talent in 1978, Sussman's album became an underground classic and that seemed to be the end of it. All the... read more
Michael Bisio & Timothy Hill - Inside Voice / Outside Voice
by Ed Sapiega, Jazz Views (UK)
This is a very intriguing album. The two artists blend elements of classical, jazz, and folk music. Bisio is a melodic and immensely talented bassist. Listing Hill as "voice" is too simplistic.
He sings and chants as a lead and as an accompaniment. The Tibetan chanting, referred to as throat singing, coupled with a jazz bass gives this album an otherworldly sound. It was well recorded in one continuous take on an afternoon.
Tibetan... read more
Bobby Selvaggio - Short Stories
by Mark Corroto, All About Jazz
Like the Japanese calligraphy art know as enso, the condensed and succinct introduction alto saxophonist Bobby Selvaggio delivers on the track "Price Of Being (Intro)" is a disciplined stroke, delivered with an ease and elegance that belies the character and control required for such a statement. He works his instrument through this exercise with such command and strength, the sound gives the impression it is effortless.
But then, such is... read more
Dawn Clement - Tandem
by Dan Bilawsky, All About Jazz
It only takes one listen to Tandem to understand that pianist-vocalist Dawn Clement is a people person with a penchant for trying different things. That openness to various individuals and action points shows itself to be the heart of this collection of duo performances.
Despite being a prominent presence on the Seattle scene, working with high profile leaders like soprano saxophonist Jane Ira Bloom, and having a handful of highly praised... read more
Scott Reeves Jazz Orchestra - Without a Trace
by Nigel Waddington, London Jazz News
New York Big Band leader and composer Scott Reeves is someone whose music I wish I'd discovered sooner. His new release, Without A Trace, contains originals and standards, colourfully orchestrated and recorded with an intimate, club-like ambience.
These pieces really are "composed", and what a difference it makes. They are led by the line, so there is always a feeling of forward travel. No fewer than 12 soloists offer their artistry,... read more
Piet Verbist Zygomatik - Cattitude
by Erno Elsinga, Jazzenzo (Dutch)
In the Netherlands, the Belgian musician Piet Verbist especially as the former bassist of the Jef Neve Trio. Domestically Verbist counts as an old warhorse who has played and recorded with numerous international musicians and he records for the American Origin Records label.
From his debut Zygomatik from 2012 to the controversial compositions on "Cattitude," Verbist makes a leap forward. The rhythmic accompaniment under the powerful mix of... read more
May Okita - Art of Life
by George W Harris, Jazz Weekly
Gentle toned vocalist May Okita creates gentle sonatas with the spartan support of guitarist Larry Koonse and pianist Josh Nelson on this delicate collection of standards. Her sandied tone is attractively intimate with Nelson on a alluring "Let's Face the Music and Dance" while Nelson provides streamlike ripples for a contemplative "Both Sides Now." A troubadour'd take of "Detour Ahead" has Okita in a breathy form as she floats over Koonses... read more
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