Centennial Concert Celebrates All Things James Moody
In the spring and summer of 2000, while reporting a DownBeat profile framed around James Moody's 75th birthday concert with the Jazz at Lincoln Center Orchestra, I asked him to explain how he made the tenor, alto and soprano saxophones, and flute, each sound like his primary instrument.
"I need to practice them," Moody responded crisply. "You play one horn because you like its... read more
Galper is back with his trio in top form, & invited saxophonist Jerry Bergonzi into the fold. It was an inspired addition to the sound. Bergonzi is one of those distinctively daring players who doesn't get the recognition he deserves. He can be fierce; his tone is muscular. In the trio's ruminations and maelstroms he can sound like the voice of reason, or like a ranting maniac (with a method to his... read more
4-STARS First things first: there is no doubt that Chris Walden's reverential Missa Iubileum Aureum ("Golden Jubilee Jazz Mass") is beautifully written and wonderfully performed by the LMR Jazz Orchestra, St. Dominick's Schola Cantorum and cantors Kurt Elling and Tierney Sutton. Is it jazz? That is another question, one not so easily answered. While there are elements of jazz, they are incidental and generally overshadowed by the more... read more
"Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul." (Wassily Kandinsky)
German pianist that has long lived in New York before moving to Canada, Florian Hofner has published three records with his group, the latest "Luminosity" featuring Seamus Blake on sax. His knowledge of both European... read more
Stemming from a donation drive for a local jazz club, this compilation deals out an overview of some of the best jazz Seattle has to offer. While the title alludes to the piano as a centerpiece, the album doesn't focus so strongly on it. Every track save one includes an outstanding pianist (Marc Seales, John Hansen, and Dave Peck are among the brightest of the bunch), but they're often overshadowed by some incredible horn players, vocalists, and... read more
Guitarist Shawn Purcell can always be counted on to create stimulating and inventive music. In his career he worked with the U.S. Air Force's Airmen Of Note for 8 years, was with the US Navy Band Commodores jazz ensemble, and has appeared on over 30 recordings. Oblivity is his third album as a leader, following 2019's Symmetricity and 2022's 180.
For this set, Purcell debuts ten of his originals, performing with the masterful... read more
Saxophonist and composer Jim Gailloreto is known for his inventive genre fusions. The nine-piece suite The Pythiad is no exception. Inspired by lesser-known heroes of Greek mythology, it features vocalist Cheryl Wilson's charismatic singing and Coleman Gailloreto's intriguing poetry. The lyrics are a mix of couplets and free verse, and are a superb match for the sparse and haunting music.
For instance, the tense and angular "Deucalion and... read more
5-STARS Saxophonist Dave Liebman leans "outside" for the most part. He came to a measure of fame back in the bands of Miles Davis, during one of the influential trumpeter's decidedly outside periods—the 1970s, when Liebman participated in Davis' On The Corner (Columbia Records, 1972), Dark Magus (CBS-Sony, 1975), and Get Up With It (Columbia, 1977).
Post-Davis, the always prolific and adventurous Liebman offered up scores of... read more
This is just a small collection of the Origin Records reviews. Click here to view all reviews or try to Search for your favorite CD title.
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