Browse some recent Origin Reviews.
Jim Gailloreto Jazz String Quintet - American Complex
by HRAYR ATTARIAN, All About Jazz
Chamber jazz or third stream - or whatever the amalgamation of western classical music and jazz is called - has had a handful of talented proponents sprinkled throughout the history of music. They have ranged from the more structured compositions of Igor Stravinsky to the looser improvisations of the Modern Jazz Quartet. Soprano saxophonist Jim Gailloreto has recently joined the ranks of these musicians.
On American Complex, Gailloreto is in... read more
Upper Left Trio - Sell Your Soul Side
by Paul Abella, Chicago Jazz Magazine, March/April 2006
There seems to be a new brand of piano trios brewing in jazz today. Groups that are willing to ditch the common ideas of the piano-bass-drums trio format and come up with something completely their own. E.S.T., Katahdin's Edge and The Bad Plus have been doing things in this vein for years now. Through studio trickery, slick arrangements of pop tunes or just plain inventive songwriting, these groups have been forging ahead, crafting their own... read more
Bill Anschell - Improbable Solutions
by ERIC OLSON, Earshot Jazz
It takes all of five bars for a ring modulator to slink, unassumingly, and rather unexpectedly, into the opening track of Seattle-based pianist Bill Anschell's newest work. A few seconds on, when guitarist Brian Monroney flicks his strings like Avi Bortnick on one of John Scofield's Überjam records, the album title falls into place: Improbable Solutions. There's no saying what "problem" this excellent album is bent on solving, but its... read more
Phil Kelly & The SW Santa Ana Winds - My Museum
by Jack Bowers, All About Jazz
To paraphrase the peerless Bard of Avon, a wind from any other clime would blow as hot -- or as cool. Last year, composer/arranger Phil Kelly happily introduced big band enthusiasts to the turbulent NW Prevailing Winds (Seattle) on the stormy album Convergence Zone; this year, he has empowered the cyclonic SW Santa Ana Winds (Los Angeles) to raise the barometric pressure and spawn another tempestuous tour de force, My Museum.
Knowing there... read more
Jessica Williams - Freedom Trane
by Tom Ineck, Berman Music
Ever since the death of John Coltrane more than 40 years ago, jazz musicians of every ilk have attempted to get at the core of his sound, the key to its immutable power and transcendent spirit. Aside from Coltrane bandmate McCoy Tyner, perhaps Jessica Williams on Freedom Trane comes as close to the source as a piano player is likely to get.
Four of the eight tunes come from the Coltrane songbook, but the other half were written by... read more
Bill Anschell - Shifting Standards
by Georges Tonla Briquet, JazzHalo (Belgium)
The American pianist Bill Anschell has been testing the combinations between jazz standards and pop for ten years in the company of loyal accompanist bassist Jeff Johnson (Hal Galper, Bud Shank, Lew Tabackin) and drummer D'Vonne Lewis (Charles Gayle, Wynton Marsalis). The three have a permanent place at Tula's Jazz Club in Seattle. However, Anschell has been active for a total of three decades. For 'Shifting Standards' he limits himself to nine... read more
Chris Walden Big Band - No Bounds
by Fred Bouchard, Downbeat, December 2006
Arms-wide embraces and straightforward voicings mark the squeaky-clean but silky-smooth style of trumpeter and film and TV composer Walden. A cast of 60-plus with international guests wail these tight-as-a-cricket charts and take brisk solos. Tierney Sutton sings Peggy Lee straight-arrow on "People Will Say We're In Love" as trombonist Bob McChesney goes wild. The album features Walden's spacious, seamless charts, but offers few surprises:... read more
Greg Yasinitsky - YAZZ Band: New Normal
by Jack Bowers, All About Jazz
4-STARS As one good album clearly deserves another, Greg Yasinitsky, who wears many hats—composer, arranger, woodwind specialist and educator among them—has released New Normal, the second impressive outing by his admirable Washington state-based ensemble, the YAZZ Band, which varies in size from septet to tentet. Unlike Yasinitsky's earlier album, YAZZ Band, which was recorded basically in one session with fixed personnel, the... read more
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