Browse some recent Origin Reviews.
Anthony Branker & Other Ways of Knowing - Manifestations of a Diasporic Groove & Spirit
by Thierry De Clemensat, Paris Move
5-STARS To write about Anthony Branker is to risk superlatives. And yet restraint feels almost dishonest. He stands, more than likely, among the most important and influential American composers working today, not simply because of the sophistication of his craft, but because of the intellectual and moral architecture that sustains it. Once again, Branker delivers a work that is forceful, searching, at moments even unsettled, a score... read more
Deep Blue Organ Trio - Folk Music
by Rick Anderson, Notes, June 2008
The "organ trio" format is one of the most venerable and fiercely defended combo configurations in jazz. Organists are generally adamant that no bass is needed, and take pride in being able to provide running basslines themselves using the pedals of the Hammond B3 organ (the preferred instrument in this configuration) while playing melody and chordal accompaniment on the manuals?and soloing, of course. This trio, comprised of organist Chris... read more
Bobby Broom - Song And Dance
by Jack Garner, Rochester Democrat & Chronicle
The veteran jazz guitarist (and frequent accompaniment for Dr. John and Sonny Rollins) brings his unique touch as a leader to an impressive range of songs from outside the "typical" jazz spectrum. With masterful skill, he reinvents the Beatles' "Can't Buy Me Love" as a swing romp, even finding ways to echo "A Love Supreme." "Where is the Love" gets a lyrical ballad treatment, while he and his rhythm section hop and skip through the theme to the... read more
Corey Christiansen - Lone Prairie
by Chris Spector, Midwest Record
A cowboy spirited album from a Wes influenced jazz guitarist? Well, he is from Utah and he didn't go down Chris Parkening's road so when genes will out, it was bound to happen. Does it feel out of character? Nah. Hell, if you didn't already know "Streets of Laredo" was a cowboy song, this would sound like some introspective meditation. A solid listening date from a cat that really knows his stuff and how to serve it up right, in any... read more
Wellstone Conspiracy - Motives
by Adam Greenberg, All Music Guide
The mostly Seattle-based quartet Wellstone Conspiracy originally formed from notables on the Seattle scene backing up Idaho-based sax player Brent Jensen on a 2006 album. With their sophomore release, the group formed a more democratic name and continued their deep presentation of Northwest jazz at its purest. There's a careful interplay between the classic sorts of sounds encapsulating the urban nightclub aesthetic and more open, smooth, and... read more
Seattle Repertory Jazz Orchestra - The Endless Search
by Adam Greenberg, All Music Guide
After a guest spot with the Seattle Repertory Jazz Orchestra in 2001, longtime sax player Jimmy Heath went back to work at Queens College. Letting a few years pass, the SRJO came back with a commission -- an attempt to create new music for the older structured form of big-band jazz. The result was a three-part tour de force of harmony that manages to showcase the formidable horns of Seattle individually without simply resorting to solos. This is... read more
Gregg Keplinger / Reuben Radding / Daniel Carter - Language
by Jon Davis, Expose
This set starts out with a mangled bowed sound from Reuben Radding's bass, more sound effects than notes, joined after a few moments by Daniel Carter's alto sax and Gregg Keplinger's drums. The three wander aimlessly for a bit, then the fog clears and a quick swinging tempo emerges, with Radding providing a busy bottom end, Keplinger simultaneously keeping the beat on the ride cymbal and adding unexpected accents on snare and toms, and Carter... read more
Les DeMerle - Gypsy Rendezvous, Vol. 1
by Kyle O'Brien, Jazz Society of Oregon
Any time anyone calls their group Dynamic, it's cause to put up a red flag for cheesiness. But the rousing Gypsy jazz that comes from this group is, well, rather dynamic. The disc came about during DeMerle's vacation to Maui, where he and Bonnie Eisele jammed with a local group. The result is a modern Hawaiian Gypsy jazz disc with a bit of a surf vibe, thanks to the dual guitars of Gypsy Pacific, Tom Conway and Phil Benoit. DeMerle's energetic... read more
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