Browse some recent Origin Reviews.
Thomas Marriott - Trumpet Ship
by George W Harris, Jazz Weekly
Thomas Marriott floats his horn with modern ellipticism on this quartet date with Orrin Evans/p, Luques Curtis/b and Mark Whitfield Jr/dr. The team hovers on a dainty "All the Things You Are" while the team shows its rapid fire with Marriott going mano a mano with Whitfield on the loose "Funny Uncle". Dark hues by Evans meld with Marriott's muted horn on the richly hued ballad "148 Lexington" as well as on the sepia toned "Behind The Beard"... read more
Les DeMerle Sound 67 - Once in a Lifetime
by George W Harris, Jazz Weekly
Back in 1967, the careers of both drummer Les DeMerle and trumpeter Randy Brecker were just beginning, and this recently discovered album has the two together along with a rotating team of Lanny Morgan/asfl, Alan Gauvin/as, Terry Plumeri-Jack Greg/b and Genya Ravan/voc. DeMarle is snappy on the snares along with Brecker and Gauvin on Jazz Messenger inspired pieces like "Come Back To Me" and the horns dig in on "Sticks" with DeMerle cracking the... read more
Mamutrio - Primal Existence
by Chris Spector, Midwest Record
From Belgium it came, a new sax trio that fuses art jazz with Euro sensibilities making for some grand egghead jazz in the way that ECM did it in their younger days. Angular sounds that are carefully plotted in their execution, these three have it going on and manage to fuse jazz from different trio modes in to one, well done whole. A must for sitting down jazz... read more
Piet Verbist - Zygomatik
by Tom Beetz, Jazzflits- Netherlands
*translated from Dutch
The zygomaticus major is the large zygomatic muscle that runs to the mouth corners making it possible to smile. It is also the title of the last song on 'Zygomatik,' the newest CD from bass player Piet Verbist. Of laughter is indeed no question when listening to this, there is this too seriously. Verbist is one of the leading figures of the Belgian jazz scene, which might be a lot smaller than the Dutch scene... read more
Hal Galper - O's Time
by Dave Sumner, Wondering Sound
There is a strange grace to pianist Galper's music, which always seems to be caught mid-stumble and falling fast... melodies flail about dramatically and rhythms don't seem to be fully in control of motor functions. But over the decades of his career, Galper has found a way to freeze that stumble in a very brief moment, a moment of thrilling uncertainty, slightly airborne and stretched out in an unusual shapes and motions, and extend the... read more
Bill Anschell - Rumbler
by Carlo Wolff, Downbeat
****
Ambivalence and shadowplay suffuse this intriguing album by Seattle-based piano guru Anschell. Jeff Coffin's querulous soprano saxophone launches the medium-tempo title track, one of the most conversational on this engaging CD. The soloists vary, but the qualities of surprise and confidence always figure here. In addition to originals spanning the piquant "Heisenberg's Fugue State" and "39F," a tricky exercise verging on pop,... read more
Geof Bradfield - Our Roots
by Dave Rogers, WTJU - Richmond
Tenor sax man Geof Bradfield explains the premise of this disc as revisiting Clifford Jordan's tribute to Leadbelly when asked to put together a concert for the Fulton Street Jazz Record Collective. He and the band revisited these classic sounds while honoring the spirit that Jordan had first brought: play the old songs to honor them while adding your own voice which in itself has been influenced by the root without simply copying that root.... read more
Clay Giberson - Pastures
by Ryan Meagher, Oregon Jazz Scene
I moved to Portland a little over four years ago. I did not know a single person in Portland when I moved here but for one person, Clay Giberson. Giberson and I have a couple mutual friends in New York, and I met Giberson at a jam session in Brooklyn well-before I had even thought of living in Portland. When I got to town and was trying to find a foothold on the local jazz scene I remembered Giberson since he was a nice guy that I knew could... read more
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