Browse some recent Origin Reviews.
John Moulder - Bifrost
by John Kelman, All About Jazz.com
A longtime member of ex-Pat Metheny Group drummer Paul Wertico's trio, enough has already been written about John Moulder's double life as jazz guitarist and ordained priest. Bifrost is Moulder's follow-up to the ambitious and eclectic Trinity (Origin, 2006), where the guitarist's spirituality became a touchstone for music ranging from the ethereal to the grounded, and from elegant folklore to potent, angst-driven fusion. What makes Bifrost... read more
Tim Horner - The Head of the Circle
by Chris Spector, Midwest Record
Sure it might be sitting down jazz and art jazz, but it ain't like that. With a clear vision and some wonderful players along for the ride to bring that vision to the fore, this is a drummer led session where the drummer knows about more than the use of white space. One of those great creative dates that isn't creative for the mere sake of it, Horner has the chops and the flying time to pilot the plane anyway he wants and you can be assured... read more
Michael Waldrop - Origin Suite
by Jack Bowers, All About Jazz
Drummer / vibraphonist Michael Waldrop 's intriguing Origin Suite (deftly arranged by Jack Cooper) sweeps away musical boundaries to make its points, one of which is that big-band jazz needn't be ensnared in a time warp but is capable of changing with the times to engender songs that are as aesthetically pleasing as they are thematically stylish.
The three-movement suite, written to feature Waldrop on drums and vibes, calls to mind in its... read more
Joachim Mencel - Brooklyn Eye
by Piotr SACHA, Gość Niedzielny (Poland)
Lyrically
How to make big dreams come true? Joachim Mencel found the answer. An outstanding jazz pianist, also known on the scene of Christians from the New Life formation, thought about recording his own material in a New York studio in the company of eminent American instrumentalists. Later he moved to words, and from words to deeds, that is, sounds that are beautiful and original in beauty. The originality of the "Brooklyn Eye"... read more
Jonas Tauber - Storm Walking Singing
by Joshua Kline, Double Bassist
Recorded before a live audience at Cafe 26 in Switzerland, Storm Walking Singing comprises mainly original improvised solo pieces performed by bassist Jonas Tauber. Such is the level of intensity and conviction of Tauber's playing that one has to remind oneself that this is just one man and his double bass. His ambitious approach to the instrument compounds the impression that there is an ensemble rather than a soloist at play.
Particularily... read more
Bill Anschell - Figments
by Adam Greenberg, All Music Guide
One of the more prolific exponents of the Northwest jazz sound, pianist Bill Anschell has figured in any number of excellent recordings, both as a bandleader and as an accompanist. In Figments, he takes a turn at solo piano, running through songs from pop, jazz, and the American songbook and reworking them into wandering (he describes it as stream of consciousness) arrangements that sometimes provide jazz underpinnings for classic pop, and... read more
Scenes - Destinations
by Dave Rogers, WTJU, Richmond
Veteran trio Scenes have performed together for 15 years and the melding of their individual and trio play is wonderful. Everyone has a voice and they blend together beautifully. This is their fifth release. The players are John Stowell (guitar), Jeff Johnson (bass) and John Bishop (drums). Stowell composed five songs and Johnson two and the covers are Miles Davis' "Solar", Tommy O'Donnell's "Psalm" and Schwartz and Dietz' "You And The Night And... read more
Paul Marinaro - Mood Ellington
by Tim Larsen, Jazz Views (UK)
Mood Ellington is one of the year's best jazz vocal albums — impeccably arranged, deeply felt, and sung with a baritone that knows these songs inside out.
Paul Marinaro approached Mood Ellington with a smart concept: take 25 Ellington and Strayhorn tunes and group them by feel — love songs, darker ballads, and the more grounded, grown-up material — then bring in 13 arrangers to give each tune its own color. The result... read more
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