Browse some recent Origin Reviews.
Hugo Fernandez New Grounds Quartet - Ozean
by Chris Spector, Midwest Record
An innovative German cool school guitarist whose idea of cool school is laid back Wes rather than standard ECM, he comes in with a solid set of jazz for the mind that any fan of sitting down jazz will recognize as top shelf. Well played and well planned, this is certainly a guitar player of note leading the... read more
Amit Friedman - Sunrise
by Yotam Ziv, Columbus Music Magazine (Israel)
BEST ISRAELI JAZZ OF THE DECADE The "sunrise" of composer and saxophonist Amit Friedman came after quite a few years when he played as a sideman with many good musicians. Friedman defines himself as an autodidact. Although he studied jazz at Thelma Yellin and took individual lessons here and there, he paved the way for himself. This is probably why his music is so accessible and pleasant to listen to, but not at the expense of depth and... read more
Todd Bishop - Travelogue
by Dave Sumner, Wondering Sound
Solid new release from drummer Bishop, following on the heels of Little Played Little Bird, his reinterpretation of obscure Ornette Coleman tunes, and one of the best things released in 2012. This time around, he gets closer to a straight-ahead modern post-bop sound, but the same odd fluidity he brought to Coleman's music, he applies here, too, making straight-ahead music move in directions other than straight. A quartet session with... read more
Piet Verbist Zygomatik - Cattitude
by Erno Elsinga, Jazzenzo (Dutch)
In the Netherlands, the Belgian musician Piet Verbist especially as the former bassist of the Jef Neve Trio. Domestically Verbist counts as an old warhorse who has played and recorded with numerous international musicians and he records for the American Origin Records label.
From his debut Zygomatik from 2012 to the controversial compositions on "Cattitude," Verbist makes a leap forward. The rhythmic accompaniment under the powerful mix of... read more
Rob Lockart - Parallel Lives
by Ric Bang, The Davis Enterprise, April 3, 2008
Rob Lockart is Texas born and educated at teh Eastman School Of Music; he completed studies at teh Banf School. He has lived and worked in New Orleans, New York and Los Angeles, where he now resides and teaches.
His musical experience includes jobs with the Woody Herman Orchestra, Doc Severinson's Big Band and performances with numerous smaller groups headed by well-known artists such as Clark Terry, Joe La Barbara and Mel Lewis. Lockart... read more
Dana Hall - Into the Light
by Kevin Whitehead, NPR Music Reviews
Dana Hall doesn't often hog the spotlight on his debut album, Into the Light. He doesn't need to; he plays more stuff behind other musicians than some drummers do in a solo. Hall stays busy back there, exhorting and swinging the band, playing contrary rhythms, shifting his patterns and punctuating everybody else's solos.
Here, Herbie Hancock's "I Have a Dream" is played more or less in the style of the Miles Davis quintet with Tony Williams... read more
Richard Cole - The Forgotten
by Dave Nathan, All Music Guide
This is tenor saxophonist Richard Cole's second album for the Origin label. Compared with the first outing, The Forgotten sports additional standards plus visits by outstanding artists such as Randy Brecker , Adam Nussbaum, and Joey Calderazzo. Cole is from the school of modern, progressive jazz. On such cuts as "Free Time," one hears the influence of Sonny Rollins with his hard bop and unique thematic improvisations, as well as the hard-driving... read more
John Bishop - Nothing If Not Something
by Bill Milkowski, Jazz Times
On this adventurous, open-ended trio outing, the Seattle-based drummer and founder of Origin Records forges an extraordinary, freewheeling chemistry with kindred spirits Jeff Johnson on bass and Rick Mandyck on alto sax. A ubiquitous figure on the Northwest jazz scene, Bishop's first recording under his own name runs the gamut of dynamics from a spacious, hymnlike cover of Curtis Lundy's "Orange Blossom," underscored by Bishop's ultrasensitive... read more
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