Browse some recent Origin Reviews.
James Moody - 80 Years Young: Live at the Blue Note, March 26, 2005
by Editor, Modern Drummer
For the last part of his life, the legendary James Moody chose to include Adam Nussbaum in his working band. Nussbaum was featured on the outstanding Moody studio recording with Hank Jones called Our Delight. For this live recording, Nussbaum is let loose behind the tenor sax legend. Nussbaum, bassist Todd Coolman, and pianist David Hazeltine set the mood for this all-star celebration featuring legends like Slide Hampton, Paquito D' Rivera,... read more
Cathy Segal-Garcia - SOCIAL ANTHEMS, VOLUME 1
by Paula Edelstein, Sounds of Timeless Jazz
Social Anthems Volume 1 is an excellent rendition of protest songs covered by vocalist Cathy Segal-Garcia. A child of the Sixties, Ms. Segal-Garcia sings some of the most memorable songs of social importance with exemplary new arrangements. Although these songs were mostly introduced as Folk inspired songs, Segal-Garcia's jazzy updates work really well. Joined by such stellar musicians as Anthony Wilson on guitar, Josh Nelson on piano/keyboards,... read more
Lower Monumental - Mayday Session
by Adam Greenburg, All Music Guide
Two-thirds of the group formerly known as Flatland return for a new debut with this one, a recording of a live improv session on one of Seattle's better avant-garde radio stations. The music is relatively similar to that of Flatland, with the notable removal of a bass and addition of a sax, courtesy of Saul Cline, a session player occasionally with Matt Jorgensen + 451. The atmosphere is particularly spacey here, but generally aims for the... read more
Nnenna Freelon - Beneath the Skin
by Tessa Souter, The New York City Jazz Record
Nnenna Freelon's folk-infused Beneath the Skin (Origin) is a deeply autobiographical work, rooted in grief and transformation. The album addresses three profound personal losses: her late husband, renowned architect Phil Freelon; her sister, Debbie; and the family dog, Basie. Acclaimed as a gifted jazz interpreter, Freelon shows herself here as a powerful songwriter and storyteller, channeling grief into a body of work that is both raw ("Widow... read more
Allison Adams Tucker - WANDERlust
by George Varga, San Diego Union-Tribune
San Diego music mainstay Allison Adams Tucker isn't kidding when she describes herself as a "world jazz singer."
As her third and newest album, "WANDERlust," handily reaffirms, she can sing with equal skill and poise in English, Spanish, French, Portuguese, Italian and Japanese. Recorded in New York, the alluring "WANDERlust" teams her with such luminaries as Chicago saxophonist Chris Potter, Mexican drummer Antonio Sanchez and Brazilian... read more
Clarence Penn - Monk: The Lost Files
by Chris Robinson, Outside-Inside-Out
Drummer Clarence Penn's latest is a super hip and contemporary update on eleven Monk tunes. Along with saxophonist Chad Lefkowitz-Brown, pianist Vega, bassist Yasuhi Nakamura, and Gerald Clayton on Rhodes for one track, Penn reworked Monk's tunes - sometimes shifting accents to create a new rhythmic feel, or disguising the tune altogether. In doing so, he has breathed fresh life into and offered new ways to hear compositions that everybody... read more
John McLean - Better Angels
by John Barron, All About Jazz.com
Guitarist/composer John McLean is an emerging musical voice for the 21st century. Steeped in tradition and propelled by contemporary influences, the Chicago-based musician sculpts an uncanny representation of an ever-widening American musical landscape. Better Angels, McLean's second release as a leader, is a stunning collection of original compositions and standards, featuring McLean's blistering guitar and his unconventional ensemble comprised... read more
Todd Bishop - Little Played Little Bird
by Dave Sumner, Bird Is The Worm Jazz Blog
Taking ownership of a series of obscure Ornette Coleman songs, drummer Todd Bishop shines them through a facet of his own view of the music, while leaving the beating heart of the originals intact, not a scratch upon them.
Most strikingly, the album is an easy listen. Not in the sense that it's straight-forward, but instead, Bishop doesn't needlessly complicate matters. Due to his inventiveness, Coleman's music already comes with its... read more
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