Browse some recent Origin Reviews.
Thomas Marriott - Both Sides Of The Fence
by Dick Crockett, Bopndick's 10 Picks
What can you say about Thomas Marriott that says fabulous. This CD will more than make that claim. Marriott has a strong tone, great command and swings like...fabulously. Listen to his forceful attack right off on "Both Sides Of The Fence."
He's clear, precise, strictly down to business, the essence of hard bop swinging. The band of Marc Seales, piano, Jeff Johnson, bass and John Bishop, drums lend ample support to this exciting re-occurrence... read more
Lorin Cohen - Home
by Peter Margasak, Chicago Reader
Though he's lived in New York since 2012, bassist Lorin Cohen reveals the modesty instilled by his Chicago upbringing on his recently released debut Home (Origin), playing with a soulful muscularity and helming his band's harmonic shapes and rhythmic thrust rather than trying to command center stage. Cohen understands what it takes to make a band sound better without drawing attention to himself. Before leaving town he spent five years on the... read more
John Moulder - The Eleventh Hour
by Bill Meredith, Jazziz
New York City may be where jazz musicians go to seek stardom, but Chicago is no Second City for those looking to work. That lesson's clear to guitarist John Moulder, who teaches at nearby Northwestern University (where he earned a master's in music) and has crafted a 20-year recording career, culminating in the banner work on "The Eleventh Hour: Live at the Green Mill."
Captured live at the venerable uptown cocktail lounge, Moulder's... read more
Hadley Caliman - Straight Ahead
by Ken Dryden, All Music Guide
Hadley Caliman has had a long, distinguished career as a sideman, appearing on albums by Gerald Wilson, Bobby Hutcherson, Hampton Hawes, and Joe Henderson, among others, though he has had relatively sporadic opportunities to record as a leader.
His second CD for Origin indicates he may have found a regular outlet for his music, backed by the young trumpeter Thomas Marriott (who also records as a leader for the label and appeared on Caliman's... read more
New York Voices - Reminiscing in Tempo
by C. Michael Bailey, All About jazz
What the quartet New York Voices achieves with their performance of Dave Brubeck's "Blue Rondo Á La Turk" disguised as "Round, Round, Round" by lyricist Lauren Kinhan is nothing short of a schizophrenic jazz "Carmina Burana." Lithe, muscular, and smart, the performance is dense and thought-provoking, deftly navigating between its disparate 9/8 and 4/4 sections.
The 9/8 sections are presented in almost astringent counterpoint, the vocals... read more
Nnenna Freelon - Beneath the Skin
by Jim Motavalli, THE NEW YORK CITY JAZZ RECORD
Singer Nnenna Freelon has long shown she knows her way around the Great American Songbook (she's recorded tributes to Billie holiday and Stevie Wonder), but on her newly released 12th album, Beneath the Skin, the tunes, many of them poignant ballads, are all hers, with several celebrating women in many colors. On this straight-ahead acoustic affair—with an unusual instrumentation of cello, trombone and guitar plus piano trio—Freelon proves... read more
Ron Di Salvio - Essence of Green, A Tribute to Kind Of Blue
by Adam Greenberg, All Music Guide
A fine group of musicians from the Michigan area gather for what appears at first glance to be a song-by-song response to Miles' classic. The album opens with "Six Shades of Green," following the structure and feel of "All Blues" relatively closely. "Crossing Lines" follows the tone of "Freddie Freeloader" similarly. The chord progressions continue to follow the course set by Kind of Blue as the album progresses, with interplay between Ron di... read more
Kelly Brand Nextet - The Door
by John Barron, All About Jazz.com
The Kelly Brand Nextet is the brain-child of Chicago pianist/composer Kelly Brand. The ensemble, a vehicle for Brand's compositional vision features a crew of top-notch Windy City musicians who swing with an aggressive edge. Something of a family affair, The Door features Brand's husband Kelly Sill on bass and on one track, her daughter Naomi Sill on cello.
The Door is made up of a number of compelling musical components, the most intriguing... read more
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