Browse some recent Origin Reviews.
Jon Alberts / Jeff Johnson / Tad Britton - Apothecary
by Dan McClenaghan, All About Jazz
An Internet search for the Fu Kun Wu Lounge in Seattle, Washington's Ballard neighborhood, reveals one patron's assessment of it as "one of the best kept secrets of the Seattle Jazz Scene." Many of the city's dynamic Origin Records stars perform in the converted Chinese herbalist's shop; players like pianists Bill Anschell and Marc Seales, saxophonist Hans Teuber and bassist Jeff "Free" Johnson. So how the lounge remains a secret is a... read more
Geoff Stradling - Les is Mo'
by Tom Hull, www.tomhull.com
First album by a pianist whose CV starts off with increasingly long lists of film, tv, and commercial work (Pampers, Swatch, Purina -- just a few that strike my fancy), then trails off into a couple of dozen album appearances (Alphonse Mouzon, Jane's Addiction). Nothing there prepares you for this album, an easy swinging concoction with Rick Keller's saxes adding warmth and a bit of edge, nicely seasoned with a bit of Latin percussion.... read more
Peter Epstein and Idée Fixe - Abstract Realism
by Stef Gijssels, Freejazz Blog
As a leader, saxophonist Peter Epstein released three modern jazz CDs, one Portuguese CD, a solo sax record with some classical music and some improvisations, a fantastic world jazz album ("Lingua Franca"), and all this in a quite irregular time span, of which most ten years ago and not much lately.
He is a musician with broad technical skills, open to many genres, and that seems to have been his problem in creating a specific profile.... read more
John Stowell - The Banff Sessions
by Jim Ferguson, Jazz Times
While many players who came up in the '70s and '80s stylistically reflect the influence of Pass, Montgomery, Hall, Kessel, Burrell, Grant Green, and a few other players who helped forged the mainstream guitar style in the '50s and '60s, Oregon resident John Stowell plays with an airy, lithe approach the basis of which is advanced, close-voiced chords more akin to pianists like Bill Evans. On The Banff Sessions (Origin), his most recent... read more
Hal Galper - O's Time
by Jerome Wilson, Cadence
Veteran pianist Hal Galper has a more measured, intricate approach on "O's Time." On John Coltrane's "Like Sonny" he takes his time working up classical-sounding turbulence with different tempos in each hand while his rhythm mates, Jeff Johnson and John Bishop swirl alongside him. The trio moves through Wayne Shotere's "Wildflower" and Charlie Chaplin's "Smile" in surging, delirious clouds while the ballad "Moonglazed" is played... read more
Piet Verbist - Flamenco Jazz Summit: El Mar Empieza Aqui
by George W Harris, Jazz Weekly
Exciting and enticing moments from Iberia and beyond take place on this album led by bassist Piet Verbist along with pianist Milan Verbist, saxist Tom Van Dyck, drummer Juan Sainz, Carlos Cortes on flamenco guitar and percussion and the inclusion of Carmelo Muriel playing the traditional flutelike bansuriney. The ideas range from a modal and Coltranish "Bull" featuring some searing soprano to Andalusian exoticism with glorious alto sax and flute... read more
Michael Waldrop - Time Frames
by Jim Lambert, Percussive Notes
This 2021 CD features the music of Michael Waldrop on marimba, vibraphone, and drum set. Additionally, percussionists Gordon Stout, Brad Dutz, Jose Rossy, and Marko Djordjevic are featured on several tracks. In addition to Waldrop as a composer, other composers include Jack Cooper, Nathan Daughtrey, Jonathan Middleton, Stout, and Dutz. This CD reflects the outstanding musicianship of Waldrop on a variety of instruments. The compositions are... read more
Jonas Tauber with William Thomas, Doug Haning - Prime Numbers
by Adam Greenburg, All Music Guide
From classically trained but forward-thinking bassist Jonas Tauber comes this album of free jazz recorded live at the Jazz de Opus club in Portland. Accompanying him are drummer William Thomas and pianist Doug Haning. Here, the trio performs a good deal of spontaneous improvisation, delving deeply into the free jazz ideals on the fly. The only thing tying the trio down is a mysterious clinging to a centering around prime numbers as the basis for... read more
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