Origin Records Reviews

Tito Carrillo - Opening Statement
by Jonah Powell, 17 Dots, eMusic Blog

It's a story line that jazz fans encounter from time to time? long-time session player finally records an album under his or her own name. I can't help but cheer that effort and hope it works out. Being a team player is a noble calling in any field, but in jazz where the performance of the various pieces in the ensemble can create a whole so much greater than the sum of its individual parts, I can't help but want to cheer on the underdog who... read more

Dominic J. Marshall - Spirit Speech
by Bruce Lindsay, All About Jazz

Dominic J Marshall has clearly absorbed a lot of influences in his 24 years. The pianist, born in Scotland and now resident in Amsterdam, brings many of them to Spirit Speech, the third album by his trio. Hip-hop, jazz, classical, folk: it's a disparate bunch and while it isn't exactly chalk and cheese there's still a risk that mixing them all together could create something unpalatable. Marshall neatly sidesteps the risk. Spirit... read more

David Friesen - A Light Shining Through
by Ferdinand Dupuis-Panther, Jazz'halo (Belgium)

In Down Beat we read about David Friesen: "Though a major international jazz figure for decades, it wasn't until 2015 that a tour allowed bassist-composer David Friesen the opportunity to visit his mother's ancestral home of Ukraine for the first time. Welcomed by a camera crew and introductions to pivotal musicians and cultural institutions, his journey was first documented on 2020's critically acclaimed Testimony, recorded live at Kyiv's... read more

Clay Giberson - Pastures
by Hobart Taylor, KUCI - Irvine, CA

Pianist/composer Giberson is elegant and eloquent, both on his own charming earworms, but also on a jazz reworking of elder Joseph Brackett's Shaker hymn, "Simple Gifts". He is joined by Donny McCaslin on various reed instruments, and occasionally a string quartet.... read more

Clarence Penn - Monk: The Lost Files
by C. Michael Bailey, All About Jazz

5-STARS A well-established creative paradigm exists to justify Clarence Penn & Penn Station's recording Monk: The Lost Files. "Classical" music is often considered that music, composed long ago, that has stood the test of time, remaining viable to the public in recordings and live performance. These composers of this music tend to be Europeans from the last Millennium. It is the only logical jump to include American jazz... read more

Scenes - Silent Photographer
by Doug Simpson, Audiophile Audition

Scenes: placing modern artistic jazz in an empathic trio setting.

The Pacific Northwest is full of jazz musicians who deserve more notice outside the region. The Seattle/Portland trio Scenes is one example. Guitarist John Stowell, bassist Jeff Johnson and Origin Records honcho/drummer John Bishop first came together, along with tenor saxophonist Rick Mandyck, on the 2001 album Scenes. Since that time, Bishop, Stowell and Johnson have... read more

David Sills - Down The Line
by George Fendel, Jazz Scene

Hooray for David Sills for a few reasons. He opts for a tenor sound which is rich and righteous AND on this recording, he includes two of the world's greatest players in Alan Broadbent, piano and Gary Foster, alto sax. If you haven't heard them, pick up this CD. I promise you'll be mesmerized. To the rhythm section, add Larry Koonse, guitar; Putter Smith, bass and Tim Pleasant, drums. That all makes for an outstanding aggregation. But back... read more

Dave Slonaker Big Band - Shifty Paradigms
by George W Harris, Jazz Weekly

Classy modern big band charts are delivered by composer/arranger Dave Slonaker and his tgeam of LA All Stars. The sections are rich and wondrous throughout, hip as all get out around Tom Luer's tenor sax on "Dash Cam" while a "All Blues"y tilt on "Bye Bye Blues" goes 6/8 around Ron Stouts' Milesy trumpet. The brass goes into a rich fanfare on the declaratory "3rd and Four" while drummer Peter Erskine builds up the groove under Brian Scanlon's... read more

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