Browse some recent Origin Reviews.
Scott Reeves Jazz Orchestra - Without a Trace
by Doug Ramsey, Rifftides
Reeves' second big band album for Origin features players in the top level of New York musicians. Saxophonists Steve Wilson, Vito Chiavuzzo, Tim Armacost and Rob Middleton are among the impressive soloists, along with trombonist Matt Haviland, trumpeter Andy Gravish, pianist Jim Ridl, and Reeves on flugelhorn and trombone. In Reeves' title tune Carolyn Leonhart's vocal is cool, contained and flawlessly delivered, however mundane the lyric. She... read more
Eric Jacobson - Heading Home
by Nicholas F. Mondello, All About Jazz
4-STARS Wisconsin trumpeter, composer-arranger, educator and author Eric Jacobson and his team deliver Heading Home, his third album as leader. Offering eight Jacobson originals played by Chicago heavyweights and a New Yorker guest, all Jacobson regulars, the album, a hard bop retrospective, is arguably—if not definitively—the trumpeter's finest outing to date.
"Survival" opens in a speedball frenzy with trumpet and tenor, the... read more
Michael Waldrop Big Band - Time Within Itself
by George W. Harris, Jazz Weekly
Drummer Michael Waldrop leads a hefty 17 piece band along with a handful of guests on this rich collection of originals. The moods mix from a fusion " Tunnell Vision which features Jim Tunnell's electric guitar to full and glowing harmonies which feature Walddrop on vibes for "Inner Truth." A clever military march includes Sandra Dudley's vocals and Tim Ishii's alto on "Her Moon Rises East" and some Bill Evans Trio inspired piano work is... read more
Jonas Tauber with William Thomas, Doug Haning - Prime Numbers
by Michael Casano, Jazz Review
Prime Numbers, a trio featuring bassist Jonas Tauber, has captured the perfect blend of live jazz, exploratory meanderings, and a cohesive structure that makes this CD a must for all lovers of free jazz. This is definitely not amateur hour, but an inspired document of brilliant music shining like a brooding star in space/time. This is one of those CDs that you listen to and smile because you cannot believe how right these guys got it.... read more
Lincoln Goines - The Art of the Bass Choir
by Chris Jisi, Bass Magazine
At the top level of New York City's jazz, Latin, and studio scenes for four decades, bassist Lincoln Goines has put together this highly ambitious recording for his debut as a leader. With elegant textures inspired by Bill Lee's New York Bass Violin Choir and Steve Swallow's upper register explorations, Goines created a collage of styles and moods, built on a collection of favorite tunes and textured within the parameters of clearly voiced low... read more
Maddie Vogler - While We Have Time
by Editor, Bman's Blues Report
I just had the opportunity to review the most recent release, While We Have Time, by Maddie Vogler and it's quite entertaining. Opening with, The Need To Be, Maddie Vogler on Alto Sax, is joined by Tito Carrillo on trumpet and Flugelhorn, Matt Gold on guitar, Jake Shapiro on piano, Samuel Peters on bass and Neil Hemphill on drums. This track shows a definite interest in exploring Vogler's Cuban roots. Her sax soloing on this track is mature and... read more
Bobby Broom - The Way I Play: Live In Chicago
by Chris Spector, MidwestRecord.com
We're always jingoistic enough to champion one of our locals and Broom once again makes it all too easy. Coming live and direct from Pete Miller's Evanston location, the years of making that his home base makes for this to be a comfortable outing that cooks. The kind of stuff that makes upscale stake and scotch taste even better as it percolates in the background, Broom and company carry on the tradition of killer, first class club jazz that... read more
Hans Fahling - Hamburg: Port of Call
by Nils Jacobson, All About Jazz
Hamburg guitarist Hans Fahling wrote eleven compositions for Hamburg, each accompanied by a Patrick Haskett painting in the liner notes. The artistic intent behind this dual presentation (funded by a number of international sponsors) is well-realized through a series of shifting moods and styles. However, the interdisciplinary approach on Hamburg disguises the high-level improvisational bent of the music considered on its own.
Fahling's... read more
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