Browse some recent Origin Reviews.
Alex Graham - Brand New
by Ted Panken, Downbeat, May 2009
Big-sound alto saxophonist Alex Graham convenes pianist David Hazeltine, trombonist Steve Davis and trumpeter Jim Rotondi from One For All, and synchronous bass-drums tandem Rodney Whitaker and Carl Allen on Brand New ***. It's a rollicking, well crafted session comprised of "new standards" (Hazeltine's charts on "You Make Me Feel Brand New" and "For The Love Of You"), two grooving originals and three songbook charts by Graham. A careful,... read more
Hadley Caliman - Gratitude
by Adam Greenberg, All Music Guide
For his first album as a leader in a couple of decades, Hadley Caliman returns with a bang. Though released by Seattle's Origin label, it's not strictly Northwest jazz, and though containing a couple of players from the California scenes, it's not strictly West Coast jazz. It's something different, tangible, with ties to the classics but explorations well into the new beyond. For someone who's played with everyone from Dexter Gordon to Santana,... read more
Dan Cray - Outside In
by George W. Harris, Jazz Weekly
Pianist Dan Gray delivers the most bona fide jazz album of the quartet. He brings together Dayna Stephens/ts, Clark Sommers/b and Mark Ferber/dr for a split of seven songs between covers and originals. Stephens' warm and breathy tenor is a highlight here, relaxed and yearning with Cray's pulse on "Small Sir" and filling the room with smoke rings with glistening piano chimes on the relaxed "Where Springs." Cray and company bop with style and... read more
Jared Hall - Influences
by Russ Hubert, Adult Music Podcast
A fine collection of original compositions that are challenging, but captivating with catchy melodies and different structures and grooves. All the tunes give nods to great modern trumpeters who influenced Hall's trumpet style. Hall's trumpet chops are strong, with a well-developed modern harmonic sense and really well-structured solos. Cohen's solos are really exciting with a lot of surprises at every turn. Glynn has fine bass solos, too, and... read more
Peterson-Kohler Collective - Winter Colors
by Fred Grand, Jazz Journal (UK)
Montana cousins David Peterson and Lee and Rob Kohler went their separate ways 45 years ago after high school. Peterson, a guitarist under the spell of Abercrombie and Metheny, has subsequently performed with an impressive list of contemporary giants including Art Lande, Paul McCandless and Dave Friesen, while the Kohlers are part of a large Northwestern family of musicians and educators. Rounding out the group are the non-familial John Bishop,... read more
Paul Marinaro - Mood Ellington
by D. Glenn Daniels, The Jazz Page
The two-album release by vocalist Paul Marinaro, Mood Ellington, offers a luscious journey through the legendary songbook of Duke Ellington and Billy Strayhorn. Marinaro's warm, resonant voice glides along rich musical landscapes crafted by thirteen top-tier arrangers, including Alan Broadbent, John Clayton and Bill Cunliffe, spanning intimate quartet settings to expansive string-and-horn orchestras. Supported by his Chicago rhythm core of... read more
Dan Dean - Songs Without Words
by Melinda Bargreen, Author and music critic
Dan Dean will redefine what you think is possible to achieve with the human voice. In this recording, he makes his voice an orchestra that "plays" spectacular classics like Mussorgsky's "Night on Bald Mountain," but it's all honest singing: actual sung notes, not sampled and manipulated electronically, What a range, vocally and stylistically; how subtle and artful the compilation of these tracks; what fine musicianship and ear-opening... read more
Carlos Vega - Bird's Up
by George W. Harris, Jazz Weekly
Muscular-toned tenor saxist and composer Carlos Vega puts together a beefy post-bop quintet with Victor Garcia/tp-f, Stu Mindeman/p-key, Josh Ramos/b and Xavier Breaker/dr. He rotates between hip soul sounds with his Rhodes on pieces like the funky "On A Mission" and hip "Los Osos Grandiosos," and tongue in grove boppers like the title track and intricate "Curve Ball." Vega's tone his Rollins-strong, while Garcia is bel canto and with an... read more
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