Browse some recent Origin Reviews.
Bridge Quartet - Day
by Joseph Blake, Times Colonist, Vancouver, B.C.
Qualicum Beach's Phil Dwyer and Portland-based drummer Alan Jones have had a long, fruitful musical relationship, and they team-up again on this recording also featuring another pair of musicians from Portland, pianist Darrell Grant and bassist Tom Wakeling. The quartet's repertoire includes originals by Jones and Dwyer and joyful, tender readings of standards like Wouldn't It Be Lovely and Where Or When and a gorgeous version of... read more
Jared Sims - Against All Odds
by Chris Spector, Midwest Record
Sax jazz for people that have arrived in port after the storm. While not coming out on this specifically, this is celebratory sounds that celebrate resilience and resistance. Pour and fave drink and enjoy, you've all earned... read more
Roxy Coss - Restless Idealism
by RBS Productions, Amazon
Five IMPRESSIVE Stars. Roxy Coss is a potent, facile young jazz tenor and soprano saxophonist who has twice made the vaunted Downbeat International Critics Poll in 2014-15 as a "rising star." After reading the raves over her sophomore release "Restless Idealism", I bought it and after listening several times I must heartily agree. She has great chops on both saxes: a fluid, fleet-fingered tenor sax and a soprano sax style, a fertile... read more
New York Voices - Reminiscing in Tempo
by Thomas Cunniffe, Jazz History Online
Still swinging in their fourth decade together, the New York Voices continue to define the highest standard for vocal jazz groups. Their recordings are appearing at fairly regular intervals these days, and their latest disc, "Reminiscing in Tempo" includes a fine selection of jazz standards and originals. The album opens with a dynamic arrangement of Dave Brubeck's "Blue Rondo á la Turk" with Lauren Kinhan's vocalese lyrics augmenting the... read more
Lucas Pino - No Net Nonet
by Robert Ratajczak, Longplay (Poland)
Hailing from Arizona, New York tenor saxophonist Lucas Pino for a long time was a definite attraction performing in clubs as noble as, among others, The Blue Note, The Jazz Standard, Smalls Jazz Club and Dizzy's. For some time, however, he's done concerts around the world, visiting Canada, Australia and European countries (Poland could hear him, among others, in 2012 and 2014 in Poznan club Blue Note). He is an extremely active sideman,... read more
Rodney Whitaker - Mosaic: The Music of Gregg Hill
by Thierry De Clemensat, Paris Move
"Indispensable" Gregg Hill continues to inspire thousands of musicians, and this time, the illustrious Rodney Whitaker takes up the mantle, offering us an album of remarkable enthusiasm. Deeply connected to Origin Records—a label that has become something of a home for him—Whitaker's impressive array of musical endeavors is too vast to fully explore here. For those yet unfamiliar with his work, it is worth noting that he was a... read more
Corey Christiansen - Roll With It
by Jan P. Dennis, Audiophile Audition
Coming out of the very legato, melodic school of electric guitar jazz characterized by players like Jimmy Bruno, John Basile, and the brilliant but underrecorded Helio Delmiro (whom he most resembles), Corey Christiansen in his third outing as leader has created something very special. As both an educator and clinician as well as performer and recording artist, Christiansen brings a vast knowledge of jazz guitar history to the table. Yet... read more
Peter Lerner - Continuation
by Howard Reich, Chicago Tribune
Guitarist Peter Lerner hasn't reached Broom's level of recognition, but he surely has outdone himself with his newest release, Continuation (Origin Records). Though he sounds strong in solo passages, it's the band he leads and the strength of his compositions that make the deepest impression here. With pianist Willie Pickens playing a leonine role throughout the recording and Robert Irving III serving as producer, "Continuation"... read more
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