Browse some recent Origin Reviews.
Lynn Bush with New Stories - Still Life
by George W. Carroll, ejazznews
Well......I can make the following statement with a certain conviction: Lynn Bush is an inveterate romantic! Her choices of cover tunes, the evidence. Her 'Dreamsville,' 'Like A Lover,' & 'A Time For Love,' were stunning. It still amazes me in all my years as a veteran composer of original songs (some 3000 now), how symbiotic the relationship is between a vocalist who is willing to take musical chances, and a strong presentation jazz... read more
Corey Christiansen - Roll With It
by Adam Greenberg, All Music Guide
An excellent modern soul-jazz outing, Roll with It marks guitarist Corey Christiansen's second outing as a bandleader, and showcases some outstanding playing by the quartet. The pieces are all straightforward soul-jazz compositions, all from the pen of Christiansen, and all give the players, a motley crew from around the country, room to stretch out on extended solos and a general sense of improvisation. Though the compositions provide a core... read more
Mimi Fox - Standards
by Dave Nathan, All Music Guide
Making a solo guitar album work is not an easy task. It's not enough to be a technical wizard; veteran Mimi Fox is that and more. You also have to be able to blend a tasteful play list, sensitivity to the music, enough fresh ideas so as not to become dull, and a certain flamboyance (but not so much that it overwhelms the listener). Fox achieves all of that and more on her fourth album as a leader. The play list is made up of standards - not only... read more
Brent Jensen - More Sounds of a Dry Martini
by Chris Spector, Midwest Record
So it only took the sax man 20 years to do a follow up to his tribute to Paul Desmond. You want him to repeat himself too much or something? A delightfully classic after hours set of another heaping helping of Brubeck standards with the Desmond touch, this sitting down/thinking man's jazz outing hits all the right notes and then some. Because all the songs are familiar, it plays like comfort food from the right bistro. A swinging, tasty... read more
Jim Knapp Orchestra - It's Not Business, It's Personal
by Chris Spector, Midwest Review
A 2009 date from one of the great modern jazz insiders that can wrap a big band around his little finger, no less than Maria Schneider confirms all this in doing her part to help make his work get wider renown. This is a highly right on stop to make for jazz orchestra that almost the last word on the subject. Great playing and writing... read more
Jessica Williams - Billy's Theme: A Tribute to Dr. Billy Taylor
by Tony Augarde, MusicWeb International
Billy Taylor is best known -- at least in Britain -- for his trio's recording of his composition I Wish I Knew How It Would Feel to be Free, which has been popularized as the signature tune for BBC Television's long-running "Film" programme. But, of course, Billy Taylor has done much more than that, as Jessica Williams's sleeve-note reminds us: playing with the likes of Ben Webster, Dizzy Gillespie and Charlie Parker; acting as house pianist at... read more
Mamutrio - Primal Existence
by Erno Elsinga, Jazzenzo (The Netherlands)
Aanvankelijk was het Jesse Dockx die zijn naam aan dit trio verbond, de inmiddels twintigjarige Belgische slagwerker die zijn opleiding aan het Conservatorium van Amsterdam genoot en als een groot belofte geldt. Omgedoopt in Mamutrio, verder bestaand uit landgenoten Piet Verbist (1961) op contrabas en altsaxofonist Lieven Cambré (1968), debuteert het drietal met 'Primal Existence', oeroud bestaan.
Of de albumtitel verwijst naar Verbist... read more
Martin Budde - Back Burner
by Tom Haugen, Take Effect
The esteemed guitartist Martin Budde is aligned with Ben Feldman and Xavier Lecouturier for this first effort as leader on the Origin label, where mostly covers unfold with both uplifting bouts and melancholy present.
"Red" opens and makes an immediate impression thanks to Budde's sparkling guitar lines and Lecouturier's meticulous drumming that cultivates many grooves, and the title track follows with a hint of intimacy, where Feldman's... read more
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