Browse some recent Origin Reviews.
Bobby Broom - The Way I Play: Live In Chicago
by Paul Christopher Dowd, All About Jazz
On his album, The Way I Play, Bobby Broom explores the more traditional guitar-led trios in the manner of Wes Montgomery and Kenny Burrell. Broom, now in his second stint as a sideman with Sonny Rollins, made his Carnegie Hall debut with the sax legend at the tender age of 16. He has also played with Burrell, Stanley Turrentine, Dr. John and Miles. The Way I Play is the first live recording for his band, which includes longtime bassist Dennis... read more
Seattle Repertory Jazz Orchestra - Sacred Music of Duke Ellington
by Adam Greenburg, All Music Guide
If a repertory orchestra is going to do something, it might as well go big. Here, the Seattle Repertory Jazz Orchestra, in combination with the Oregon Repertory Singers and a handful of guests, take on music from Duke Ellington's three Sacred Music concerts. The performances are flawless, running the range from gospel to jazz to something mighty close to American opera, with nary a false note. And the compositions are of the highest caliber, of... read more
Ron Di Salvio - Essence of Green, A Tribute to Kind Of Blue
by Adam Greenberg, All Music Guide
A fine group of musicians from the Michigan area gather for what appears at first glance to be a song-by-song response to Miles' classic. The album opens with "Six Shades of Green," following the structure and feel of "All Blues" relatively closely. "Crossing Lines" follows the tone of "Freddie Freeloader" similarly. The chord progressions continue to follow the course set by Kind of Blue as the album progresses, with interplay between Ron di... read more
Lucas Pino - No Net Nonet
by Shaun Brady, Downbeat
3 1/2 STARS Young tenorman Lucas Pino has led a monthly residency at Smalls Jazz Club with his smart nine-piece ensemble since March 2013, which explains why the band sounds so tight and cohesive on its self-titled debut, No Net Nonet. Out of the gate, the band navigates blistering, breakneck lines with hairpin precision on opener "The Fox," which features well-articulated serpentine runs from the leader followed by a more spacious... read more
Jack Perla - Enormous Changes
by Hobart Taylor, KUCI, Irvine, CA
Jazz songs, originals, with the wit and charm of Joni Mitchell and the pop precision of Sting.... read more
José Luiz Martins - Odyssey Mixtape
by Thierry De Clemensat, Paris Move
This Brazilian keyboardist immerses us in pure jazz fusion; a genre that demands caution, given that since the 1970s, we've encountered everything from the sublime to the forgettable. Yet here, we have a truly delightful album, one that revitalizes the style by infusing it with cultural depth. And should you have any doubts, a flute is there to remind you: this composer is unmistakably Brazilian, and we are all the richer for discovering his... read more
Dave Slonaker Big Band - Shifty Paradigms
by Scott Yanow, Los Angeles Jazz Scene
Arranger-composer Dave Slonaker has led his big band in Southern California for 15 years. The 16-17 piece orchestra is filled with major names who are not only impeccable section players but top-notch soloists. But while there is solo space on the eight selections on Shifty Paradigms for all but two of the musicians, it is Slonaker's arrangements that give this big band its own personality.
Dave Slonaker supplied all of the arrangements and... read more
Sarah Partridge - I Never Thought I'd Be Here
by C. Michael Bailey, All About Jazz
Boston-born singer Sarah Partridge didn't start out a singer. She started out as an actor (you can see her opposite of Tom Cruise in Risky Business (Warner Brothers, 1983)) who took the Karaoke stage one night and got noticed by the right ears and five recordings later the rest is history. Where her previous recording, Perspective (Self Produced, 2010) was an intimate, piano-voice affair of standards, the present I Never Thought I'd Be Here is... read more
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