Origin Records Reviews



Jessica Williams - The Art of the Piano
by C. Michael Bailey, All About Jazz

After recording for several labels, Jessica Williams may have found her most empathetic home at Origin Arts. She has produced several fine recordings with the label that include: Songs (with Carolyn Graye)(0A2, 1997); Billy's Theme: A Tribute to Dr. Billy Taylor (Origin, 2006); Songs for a New Century (2008, Origin); and now, in 2009, The Art of the Piano, recorded in solo performance live at The Triple Door, Seattle.

Like Cyrus Chestnut,... read more

Sarah Partridge - Bright Lights and Promises: Redefining Janis Ian
by Annie Dinerman, Elmore Magazine

Jazz vocalist Sarah Partridge was only tinkering with the idea of recording one or two songs written by singer-songwriter Janis Ian, best known for her hits, "At Seventeen" and "Society's Child." Recently, from the stage where the teenage Ian herself sang in the 1960s, Partridge celebrated the release of her full CD of Janis Ian songs. Bright Lights & Promises will appeal to followers of entertaining and socially conscious jazz artists such as... read more

Peter Erskine & the JAM Music Lab All-Stars - Bernstein in Vienna
by Russell Perry, WTJU

Drummer Peter Erskine (Weather Report) has some terrific timing, recording a set of beautiful compositions by Leonard Bernstein that coincides with the film Maestro. Bernstein sets have been imbedded in jazz since Manny Albam (1957) with highlights including Andre Previn (1959), Cal Trader (1960), Dave Brubeck (1960), Stan Kenton (1961), Oscar Peterson (1962), Dave Liebman (1990), Richie Cole (1996), Bill Charlap (2003), Joe Policastro (2013),... read more

Harvie S - Bright Dawn
by Ken Dryden, The New York City Jazz Record

Bassist-composer Harvie S—for decades an in-demand player in greater NYC—was born Harvie Swartz in 1948 in Chelsea, MA, but in 2001, frequent misspellings of his surname finally caused him to legally change and simplify it to "S." An alum of Berklee College of Music, Harvie S has developed an extensive discography as a leader, co-leader and sideman, in addition to being a prolific composer. In the '70s, he co-founded the double-vibraphone... read more

Bill Anschell - More To The Ear Than Meets The Eye
by John Nyerges, www.jazzradio247.com

This Origin Records 2006 release starts with deconstructing the melody Night & Day and has wonderful rhythms (!!) floating over the bar lines. Monkisms, use of space, ? time feel, and the chordal voicings are all very musical. The accompaniment of Miller and Martinez is top shelf here (as is everyone on this CD).
Then comes an original tune more rhythmic in it's melody than say a more typical linear approach as in an older song-style standard �... read more

Hal Galper / Jeff Johnson / John Bishop - Furious Rubato
by Andrew Johnston, Jazz Review

Rubato is a difficult to define term, but it can be described as taking liberty in the tempo to obtain a certain feeling or mood. It is more common in classical solo pieces, but pianist Hal Galper, along with Jeff Johnson and John Bishop explore this abstract musical concept in a jazz trio setting on Furious Rubato.

As the title suggests, the trio uses rubato throughout the album. While playing, each member of the band can change the tempo... read more

Richard Sussman - Live at Sweet Rhythm
by David Franklin, Cadence Magazine

Thirty-one years ago, pianist-composer Richard Sussman released an LP that became something of an underground Post-Bop classic. To celebrate Free Fall's CD release in 2003 Sussman reconstituted most of the original group (saxist Larry Schneider didn't make it) for a two-night gig at New York's Sweet Rhythm.

Although between the 1979 recording and the 2003 one, trumpeter Peter Harrell, tenorist Bergonzi bassist Richmond, and drummer Williams... read more

Paul West - Lucky So & So
by Dave Nathan, All Music Guide

In the same league as hipsters Mark Murphy, Mose Allison, and Bob Dorough, West Coast vocalist Paul West runs through a play list of familiar and original material, most of it with satirical themes. "Runs through" is the apt term, since there are only 27 and a half minutes of music on the CD. Given the rotating shifts in personnel, it's clear that this CD is a compilation of music recorded at different times. Most of the tracks have West... read more

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