Origin Records Reviews



Dave Liebman | John Stowell - Petite Fleur: The Music of Sidney Bechet
by Larry Blumenfeld, Jazziz

The most striking thing about the recent release Petite Fleur: The Music of Sidney Bechet is the sound of Dave Liebman's soprano saxophone on the opening title track, Bechet's best-known composition. That sound is large and pungent, with each held note featuring a bold and tightly wound vibrato--a far cry from the looser, more urgent sound, often leaning provocatively in and out of a given tone, that we've come to expect from... read more

Bobby Broom - Song And Dance
by DF, Vintage Guitar

When he was 25, Bobby Broom was picked by jazz legend Kenny Burrell to be part of this Jazz Guitar Band, whose stint at New York's Village Vanguard resulted in two albums. By then, Broom had moved from his native New York to Chicago and already logged sessions with Dizzy Gillespie, Stanley Turrentine, and Sonny Rollins.

He later held down a five-year stint with Dr. John, and reunited with Rollins for last year's stellar Sonny Please,... read more

Richard Cole - Inner Mission
by Adam Greenberg, All Music Guide

Excellent music can come from construction and deconstruction equally. That seems to be the main point to be proven by saxophonist Richard Cole's Inner Mission. A number of original numbers build from the ground up here, forming a complex sound from primary elements in combination with co-writer and pianist Bill Anschell. At the same time, classic pieces are deconstructed, taken apart by the riff or the note to barely recognizable parts... read more

Trio Linguae - Kevin Woods / John Stowell / Miles Black - Signals
by Chris Lunn, Ancient Victorys

Stowell's guitar joins Kevin Woods' trumpet and flugelhorn and Miles Black's piano. Woods' "Few Regrets" opens with warm guitar and lyrical piano then moves into a floating mid tempo. Woods' horn is warm, low-end and lyrical moving in a very Chet Baker/Mulligan tight warmness. Guitar touches with amazing odd chords, and then the piano warmly and lyrically dances the tune. Woods also penned "Solo En Viento Sabe" with the odd, darting, off-angle... read more

Cathy Segal-Garcia - SOCIAL ANTHEMS, VOLUME 1
by Paula Edelstein, Sounds of Timeless Jazz

Social Anthems Volume 1 is an excellent rendition of protest songs covered by vocalist Cathy Segal-Garcia. A child of the Sixties, Ms. Segal-Garcia sings some of the most memorable songs of social importance with exemplary new arrangements. Although these songs were mostly introduced as Folk inspired songs, Segal-Garcia's jazzy updates work really well. Joined by such stellar musicians as Anthony Wilson on guitar, Josh Nelson on piano/keyboards,... read more

Lincoln Goines - The Art of the Bass Choir
by Marty Gunther, Chicago Blues Guide

Here's something different: California-born, New York-based Lincoln Goines is one of the best bassists of his generation with a career rooted in the jazz world and recordings with Dizzy Gillespie, Idris Muhammad, Paquito D'Rivera, Carly Simon and other giants. But he delivers azure notes aplenty in this thoroughly enjoyable, classy and primarily instrumental set.

A longtime professor at Boston's prestigious Berklee College of Music, Goines... read more

Scott Reeves - Portraits and Places
by Carmel DeSoto, Music Archives

New York based composer, arranger and trombonist/alto flugelhornist, Scott Reeves formed his impressive orchestra in 2008, and while Portraits and Places marks its recorded debut, Reeves spent a number of years before that sharpening his composing and arranging skills at the highly regarded BMI Jazz Composers Workshop where he received guidance and mentoring from Manny Albam, Mike Abene, Jim McNeely and Mike Holober. The result is influenced... read more

Bill Anschell - Rumbler
by Andrew Luthringer, Earshot Jazz

There's an exhilarating moment on pianist and composer Bill Anschell's superb new album Rumbler that is emblematic of the album's strengths, and it's right at the top of the first track. The disc kicks off with piano and saxophone outlining Thelonious Monk's iconic "Misterioso." Sure, it's a great composition, but with all the masterful versions already recorded, can there really be anything new here?
Suddenly, skepticism is knocked aside as... read more

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