Zygomatik

*translated from Dutch

The zygomaticus major is the large zygomatic muscle that runs to the mouth corners making it possible to smile. It is also the title of the last song on 'Zygomatik,' the newest CD from bass player Piet Verbist. Of laughter is indeed no question when listening to this, there is this too seriously. Verbist is one of the leading figures of the Belgian jazz scene, which might be a lot smaller than the Dutch scene but almost without exception of high quality. Also 'Zygomatik' shows that the musical and compositional Belgian terrain is extraordinarily fertile. The compositions of Verbist are bright, melodic and give much space to the musicians to shine. Verbist is unmistakably enthralled by the work of fellow bassist Charles Mingus and his spirit is hanging over much of the music, without being a faded copy of. The Fender Rhodes of usually not my favorite instrument, Bram Weijters though seems designed for this music and is tastefully used as a counterweight to the earthly blazers, of whom especially tenor saxophonist Matt Renzi, who alternates with Fred Delplancq, an impressive beautiful busty show possession. Alternately, the CD also explores hardbop, rock, funk and even a touch of free jazz. Verbist himself plays a modest but important role, his bass groove and full sound floating off the paths yet providing a solid foundation under the music, much like an oily Kipper leaving a trail through the world of jazz.