Origin Records Reviews



Rob Lockart - Parallel Lives
by Stewart Mason, All Music Guide

Saxophonist Rob Lockart has been a mainstay of the Los Angeles jazz scene for nearly two decades, working most notably with Chris Walden on a number of projects. Parallel Lives is Lockart's first solo album, an agreeable if rarely spectacular example of unfussy modern jazz that occasionally crosses over into too-smooth fuzak. Lockart mostly sticks to tenor on Parallel Lives, although his lyrical soprano soloing on "Waiting for the Truth" is one... read more

Kim Richmond Concert Jazz Orchestra - Refractions
by Reverend Bob, Ex Cathedra

With four trumpets, four trombones plus tuba, five woodwinds, two French horns, guitar, drums, Latin percussion, mallets, two basses, and piano, Kim Richmond's Concert Jazz Orchestra is a formidable ensemble just getting off the bus. Especially the woodwinds, who are each toting an entire music store. Throw in Kim Richmond's brooding, playful, ecstatic arrangements, and you can tell pretty fast that this ain't no Glenn Miller band.



You may... read more

Andrew Rathbun Large Ensemble - The Atwood Suites
by Stuart Derdeyn, London Free Press

I'll leave it to bandleader/saxophonist/composer Rathburn to describe his concept with this recording: "A setting of Margaret Atwood's poetry for jazz orchestra, sung by Luciana Souza, with special guests Bill Stewart (drummer) and Tim Hagans (trumpet)."

The 10 tracks over two albums are broken into the two three-part suites (Two Islands I, II, III and Power Politics I, II, III) and four other pieces and the playing is gorgeously understated... read more

Bobby Rozario - Healer
by Olivia Peevas, Jazz Blues EU

It as a vibrant fusion project that blends jazz-rock, blues, and world rhythms with spiritual and contemporary themes.

Reviewers have largely praised the album for its emotional depth and technical proficiency: Musical Style: The album is noted for its "jazz rock sound" mixed with Afro-Latin influences.

One reviewer compared Rozario's guitar style and passion to that of Carlos Santana, noting his ability to meld Indian Raagas with fusion... read more

Maja Jaku - Blessed & Bewitched
by Scott Yanow, Los Angeles Jazz Scene

Maja Jaku was born in Kosovo and is based in Vienna. Considered one of the top jazz singers in Europe, she is a very expressive storyteller with a musical personality of her own. She was winning awards for her singing when she was just seven and has led her own bands since turning 14. Blessed & Bewitched is her fifth album as a leader and her first one to be recorded in New York. The singer is joined by trumpeter Michael Rodriguez, pianist Alan... read more

Harvie S - Bright Dawn
by Editor, Bman's Blues Report

I just had the opportunity to review the most recent release, Bright Dawn, from Harvie S and it's light and flowing. Opening with Ghosts of Havana, Miki Hayama on Fender Rhodes creates the fabric on which Peter Bernstein builds the guitar rich melody. Matt Wilson holds a tight rein on the rhythm and Harvie S lays out a really nice solo on bass for a solid opener. Waltz For Vartan showcases Harvie leading the way on bass. Flowing guitar lead by... read more

Hal Galper - Live at the Berlin Philharmonic, 1977
by Mattie Poels, Music Frames (Netherlands)

Live at the Berlin Philharmonic is the double CD, recently released by the magical American pianist Hal Galper with his quintet.

It's fantastic that a label like Origin Records re-releases old recordings. Recordings that are timeless and sound unparalleled and contemporary even after more than 40 years. This is also the case with the 1977 concert Live at the Berlin Philharmonic by the Hal Galper Quintet . Galper started... read more

Eddie Allen and PUSH - The Rhythm
by Terrell K. Holmes, The New York City Jazz Record

Eddie Allen's top-flight band Push—Allen (trumpet), Jon Beshay (tenor), Misha Tsiganov (keyboards), Tyler Bullock II (piano), Kenny Davis (bass), EJ Strickland (drums) and guest Steve Turre (trombone)—really brings it on The Rhythm, an energetic album that displays the leader's formidable skills as producer, arranger and composer.

The Afro-Cuban inflected title track exemplifies how Allen adeptly manipulates rhythm, making it flexible in... read more

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