Origin Records Reviews



Pharez Whitted - For the People
by Dan Bilawsky, All About Jazz

Indianapolis-born trumpeter Pharez Whitted has kept a low profile in the new millennium. He's busied himself with teaching, attending to his duties as Director of Jazz Studies at Chicago State University, performing live and appearing as a sideman on a scant number of under-the-radar albums, but none of this has helped to boost his reputation beyond his Midwestern home base. His fourteen year silence between Mysterious Cargo (Motown, 1996) and... read more

Thomas Marriott - Constraints & Liberations
by Dan McClenaghan, All About Jazz

Trumpeter Thomas Marriott keeps growing as an artist. He has released CDs at a healthy pace since 2005: an introduction for many perhaps unwary jazz fans to some warped country western flavor on Crazy: The Music of Willie Nelson (Origin Records, 2008); cranking an all-star quintet up in a modern mainstream mode on Flexicon (Origin Records, 2009); and letting it rip on a two-trumpet blow fest with fellow brass man Ray Vega on East-West Trumpet... read more

Kobie Watkins - Involved
by Mark F. Turner, All About Jazz

More recently recognized as a member of guitarist Bobby Broom's illustrious trio, Kobie Watkins has proven his savvy as a fearless drummer and now a leader on his debut Involved. Watkins is no neophyte. A native of Chicago who is also an educator, he was once dubbed in a newspaper article as "Teacher has Alter Ego as Jazz Musician" who has performed with the greats - Sonny Rollins, Arturo Sandoval, Fred Anderson and many others.
Mirroring his... read more

Phil Kelly & The SW Santa Ana Winds - My Museum
by George Fendel, Jazzscene, Nov 06

They could have titled this CD "LA Meets Seattle," as it brings together some stellar players from both those communities. Try on for size: Andy Martin, Lanny Morgan, Gary Foster, Pete Christlieb, Jay Thomas, Bill Ramsay, Bill Cunliffe, and on one vocal, Greta Matassa. Bursting with riveting big band charts and explosive solo work from all comers, the album features four standards and five originals. With the exception of one cut devoted to out... read more

Hans Teuber & Jeff Johnson - Deuce
by Dan McClenaghan, All About Jazz

Bassist Jeff Johnson's first recording for Seattle's Origin Records was 1999's Free. Saxophonist Hans Teuber was there, and he was there on Johnson's subsequent Origin outings: The Art Of Falling (2001), Near Earth (2004), and Suitcase (2011). It's a relationship that has made beautiful music - mysterious and oddly sacred sounds that exude a smooth-flowing timelessness. All of these were trio or quartet affairs. Now Teuber and Johnson take the... read more

Bobby Broom - Bobby Broom Plays for Monk
by Nick Bewsey, ICON Magazine

Chicago-based guitarist Bobby Broom, a dynamic solo artist (The Way I Play: Live in Chicago) and member of Sonny Rollins' band since 2005, sets his sights on ten of Thelonious Monk's most frequently covered tunes on what should be a career-changing album. "Bobby Broom Plays for Monk" is a deeply satisfying trio recording that showcases Broom's warm, lustrous tone on imaginative arrangements of tunes that were radical in their day but now have... read more

John Bishop - Nothing If Not Something
by Adam Greenburg, All Music Guide

****1/2 - 4 1/2 STARS

This is the Seattle sound at its finest. The trio, led by Origin Records founder John Bishop, has a subtle touch. The sound is dignified, but isn't afraid to let the sax wail a little now and then. In large part, the music gains something distinctive over East Coast jazz in its lack of a drive to highlight talent and knowledge merely for the sake of showcasing. In leaving behind the need to take off with a... read more

John McLean - Better Angels
by Scott Yanow, All Music Guide

Guitarist John McLean's Better Angels is certainly difficult to classify. Some pieces, such as "Ready for the War," come across as modern pop. Others are closer to the music of the Pat Metheny Group, while a few tunes are modernized swing standards including one of the strangest versions of "Airmail Special" one will ever hear. While there are some individual spots, the emphasis during most of the selections is on the haunting ensemble sound... read more

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