Browse some recent Origin Reviews.
David Friesen - Structures
by Raul da Gama, JazzdaGama
One of the most significant musical advantages of the Hemage bass that is played by David Friesen is that its inner architecture enables him to extract an enormous palette of colours that appear to meld those of a contrabass and an electric bass guitar. The result is a seemingly dramatic increase in registers - he can reach higher registers and challenging lows while the bass still produces a faux-acoustic sound. This might also be a function... read more
Jonas Tauber with William Thomas, Doug Haning - Prime Numbers
by Michael Casano, Jazz Review
Prime Numbers, a trio featuring bassist Jonas Tauber, has captured the perfect blend of live jazz, exploratory meanderings, and a cohesive structure that makes this CD a must for all lovers of free jazz. This is definitely not amateur hour, but an inspired document of brilliant music shining like a brooding star in space/time. This is one of those CDs that you listen to and smile because you cannot believe how right these guys got it.... read more
David Weiss Sextet - Auteur
by DIONIZY PIATKOWSKI, Era Jazzu (Poland)
American trumpeter and composer David Weiss has been leading his sextet for almost 25 years. Slightly changing the line-up of the band, he always tries to maintain his own sound and format, which he dazzles with in subsequent recordings. This time, the trumpeter's sextet (Myron Walden on alto saxophone and EJ Strickland on drums, Nicole Glover on tenor saxophone, David Bryant on piano and Eric Wheeler on bass) perform the "Auteur" session.
It... read more
Cathy Segal-Garcia - SOCIAL ANTHEMS, VOLUME 1
by Dorothea Gangel, Jazz 'N' More (Germany)
For her 14th album, the Los Angeles-born jazz singer Cathy Segal-Garcia took a look back at the past and rearranged and interpreted unforgettable songs with social content. With Anthony Wilson on guitar, Josh Nelson on piano, Lorca Hart on drums, Edwin Livingston on bass and the two singers Paul Jost and Mon David, Segal-Garcia has brought in selected top musicians. Stephen Stills' protest anthem from the 1960s "For What It's Worth" opens the... read more
Collier & Dean - Sleek Buick
by George W. Harris, Jazz Weekly
Here's a fun loving disc from the Pacific Northwest. From Seattle, vibist Tom Collier and bassist Dan Dean bring together a varied and variegated collection of winsome and pulsating sounds that mix and match diverse instruments as dobro, ukulele, mandolin and fiddle as well as the normal collection of guitars, drums and reeds.
Intricate yet swinging material such as the title track have Andy Leftwich on fiddle and mandolin veering in and... read more
Chad McCullough - Dark Wood, Dark Water
by John Barron, All About Jazz.com
Seattle trumpeter/composer Chad McCullough makes his recording debut as a leader with Dark Wood, Dark Water, a diverse sextet outing featuring eight original compositions and a fresh take on the Lennon/McCartney classic "Blackbird." Along with the all-star rhythm section of pianist Bill Anschell, bassist Jeff Johnson and Drummer John Bishop, McCullough is joined by saxophonists Mark Taylor and Geof Bradfield.
McCullough proves a... read more
Todd Bishop Pop Art 4 - 69 Annee Erotique: Music of Serge Gainsbourg
by Dan McClenaghan, All About Jazz
69 Annee Erotique gets extra credit for off-the-beaten-path-ness. It is a work celebrating the music of the late French pop songster Serge Gainsbourg (1928- 1991), by Portland Oregon-based Todd Bishop's Pop Art 4. Gainsbourg, whose name may not be person-on-the-street familiar in the United States, was a pop icon in France from the late-1950s to the 1980s, a musical renaissance man of sorts who delved into jazz, pop, reggae, soundtracks,... read more
The Acoustic Jazz Quartet - Organic
by Adam Greenburg, All Music Guide
The sophomore album of jazz from the Acoustic Jazz Quartet that isn't actually acoustic (amps and pickups are used throughout). The pieces are written primarily by Jamie Findlay, the guitarist and devout Baha'I follower. Taking the influence of his religion, a number of the works here are based in some manner upon the Baha'i faith and the celebration of the Bab. The playing itself is perfectly good, with Findlay's guitar pulling through some... read more
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