Browse some recent Origin Reviews.
Jack Mouse - Range of Motion
by George W. Harris, Jazz Weekly
Jack Mouse drives a team with Scott Robinson/woodwinds, Art Davis/tp-fh, John McLean/g and Bob Bowman or Kelly Sill/b. Mouse?s compositions have a lithe melodicism to them, with themes from ?LaPorta? or ?Hip Check? veering into solos at a whim. There is definitely a pocket for the band to groove on, but it?s about as deep as one on Karma Jeans, as McLean?s fuzzy electric guitar goes more vertical than horizontal in... read more
Phil Kelly - Ballet of the Bouncing Beagles
by Tim Madison, JazzReview.com
The retro-big band sound on this release gleams bright like the bumper on a '57 Chevy. So bright, in fact, that a reasonably astute listener couldn't be blamed for wondering if the the Ballet of the Bouncing Beagles might not be the name of troupe of Vegas showgirls, burlesque dancers, or an Ice Capades show.
Phil Kelly and his Northwest Prevailing Winds bring a tight throwback athleticism to the proceedings here. Although they often skirt... read more
Marc Seales - People & Places
by Stephen Graham, Marlbank (UK)
There are few saxophonists who can melt the hardest of hearts as reliably as Quartet West player Ernie Watts. Eighty this autumn, Watts replicates that feat yet again on Seattle pianist Marc Seales' engaging opener 'Rue Cler.'
A quartet album, the line-up is completed by bassist Bruce Lett and by drummer Moyes Lucas Jr. There's an energetic version of Wayne Shorter 1977 Weather Report Heavy Weather classic 'Palladium' among the main... read more
Joe Locke - Subtle Disguise
by Editor, JazzTimes
JazzTimes Track Premier Locke is joined on "Subtle Disguise" by guitarist Adam Rogers, keyboardist Jim Ridl, bassist Lorin Cohen, and drummer Samvel Sarkisyan. Elsewhere on the album, there are appearances by guitarist/singer Raul Midón, alto saxophonist David Binney, and singer Alina Engibaryan. Seven of the album's nine tracks, including the title cut, are originals; the two remaining songs are Bob Dylan's "Who Killed Davey Moore?"... read more
Ben Black - Remembered Faces / Private Places
by Christopher Loudon, JazzTimes
Ben Black, whose choirboy purity is reminiscent of the sweet, fawn-like androgyny of the pre-Psycho Anthony Perkins, is about as distant as a male singer could be from the rough 'n' tumble Stigers. Technically, Black is light years ahead of Perkins, but could use some of the screen star's dramatic know-how. Still, as evidenced throughout Remembered Faces/Private Places (Origin), his voice is singularly gorgeous and ideally suited to dreamy... read more
Alison Ruble - This Is A Bird
by Michael Bonnard, CD Hotlist: Baker & Taylor
A surprising debut! Ruble sounds like a well-seasoned performer with a voice that is uncannily happy and mournful at the same time. She covers standard Cole Porter, Hoagy Carmichael, and Rodgers/Hammerstein material as well as James Taylor. A versatile performer with a great band behind her. Hope for more in the future. Highly recommended.... read more
Shawn Purcell - Oblivity
by Pete Prown, Vintage Guitar Magazine
With burnin' bop, ballad, and fusion, this album crackles with life - and superb musicianship. Purcell threads the needle well, staying traditional but also pushing jazz boundaries with guitar effects and synth sounds ("Quiet the Chaos"). "Verdigris" is straight-ahead bop with complex guitar phrases that are spellbinding, while "Gentle Giant" offers a slow ballad with Shawn's melodic and masterful... read more
Ira Sullivan & Stu Katz - A Family Affair - Live at Joe Segal's Jazz Showcase
by Ken Dryden, All Music Guide
Multi-instrumentalist Ira Sullivan spent a good while working around Chicago before leaving for Florida in the early '60s, though he retained a significant fan base in his old hometown. This live recording made in 2010 over four nights at Joe Segal's Jazz Showcase is a reunion, featuring vibraphonist Stu Katz, who while in his teens had regularly sat in with Sullivan over a half-century earlier before pursuing a law career. Joining them in the... read more
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