Browse some recent Origin Reviews.
Tito Carrillo - Opening Statement
by George Fendel, Jazz Society of Oregon
For some 15 years, Carillo has been Chicago's post-bop standard bearer. A trumpet player in the tradition of Freddie Hubbard or Woody Shaw, Carillo leaves no doubt that he's a force in the power department. His basic group includes Windy City colleagues Benjamin Lewis, piano, Lorin Cohen, bass, and Dana Hall, drums. Two saxophone players are guests on a number of selections, bringing the quartet to a quintet. Eight of the ten tunes played here... read more
Florian Hoefner - Luminosity
by Chris Spector, Midwest Review
Furthering his dominance in the sitting down piano jazz field, Hoefner and his long time pals add a vet new kid to the mix on sax as the newly expanded four piece crew seem to assert ownership over cinematic playing that commands your full attention. Practically playing as one, weaving things so seamlessly that they get past you as you get lost in it, this is what so many other ensembles aspire to. Well done stuff with all the sounds your head... read more
Richard Sussman - Live at Sweet Rhythm
by Ken Watkins, 100 Greatest Jazz Albums
Back in 1978 Richard Sussman led a quintet that produced the much-admired album 'Free Fall'. Twenty-five years later the group reformed at the Sweet Rhythm for this live performance. The band - Richard Sussman (piano), Tom Harrell (trumpet), Jerry Bergonzi (tenor sax), Mike Richmond (bass), Jeff Williams (drums) - was carefully put together, as Richard Sussman explains:
'The first jazz that really turned me on was the quintet and sextet... read more
Doug Lofstrom with Misha Rachlevsky & the Russian String Orchestra - Music for Strings
by George W Harris, Jazz Weekly
Music composed by Doug Lofstrom is deliciously performed by the Russian String Orchestra, conducted by Misha Rachlevsky on this rich collection of original and fresh classical works. There are four major pieces, all of which brim over with musicality and grace. A three piece "Music For Strings" includes rich Britten-esque lilts, rich pizzicato'd swayings and a dramatic climax. "Concerto For String Orchestra" as gentle pleadings as well as... read more
Bill Anschell - Shifting Standards
by Carol Banks Weber, Festival Peak
I'm a Bill Evans type of listener. For me, a musician's touch says more than a fantastic cavalcade of impressive, overly complicated notes, impossibly juxtaposed against a harried orchestra of one. If you can make me feel down to my bones, you've got me.
Seattle's beloved jazz pianist Bill Anschell is cool, because he can do both: move and impress, touch and flash, tone and stack — often on a forgettable, throwaway standard everybody... read more
Clipper Anderson - The Road Home
by Ric Bang, Jazz Scan
Clipper Anderson is another of the seemingly innumerable jazz artists who reside and work in the Pacific Northwest. Born and schooled in Montana, Anderson began to play the electric bass while in high school, then switched to the acoustic instrument during his tenure at the University of Montana. In addition to being part of the Seattle area?s extensive jazz cadre, he?s an active studio musician, teaches jazz bass at Pacific Lutheran University,... read more
Bug - The GADfly
by Bill Milkowski, Jazz Times
Thoughtful, provocative fare by a tight quintet of alto saxophonist Peter Epstein, guitarist Jeff Miley, keyboardist and principal composer James Miley, bassist Roger Shew and drummer Brian Hamada. They stride into the alt-jazz camp on spiky numbers like "Gadfly,"
"The Ballad of Ned Flanders" and the hard-hitting "Dark Matter." The buoyant "Wishfull Thinking" and the swinging "Tumble," built on flowing unisons between Epstein's alto and Jeff... read more
Clay Giberson - Upper Road
by Doug Yovanovich, e. peak
Clay Giberson's second album Upper Road takes listeners to a quiet place away from jazz's beaten path and seduces their senses admirably. The distinct sax and keyboard sounds tickle the upper octaves without being vivacious and without contradicting the soft mood of the supporting instruments. Portland native Giberson plays the piano and synth with the same creativity as Pat Metheny, who is regarded as a forefather of experimental electric jazz.... read more
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