Origin Records Reviews



Brent Jensen - More Sounds of a Dry Martini
by Joe Barth, Jazz Guitar Today

Playing Guitar for Sounds of a Dry Martini One of the most beloved saxophonists in jazz history is Paul Desmond.JGT contributor Joe Barth explores 'guitar support' in the Paul Desmond tribute albums. Though best known for his classic hit "Take Five" with the Dave Brubeck Quartet, Paul recorded several great albums with guitarists Jim Hall and Ed Bickert. Guitarist Jamie Findlay and saxophonist Brent Jensen pay tribute to the albums... read more

Todd Bishop - Little Played Little Bird
by George Fendel, Jazz Society of Oregon

Okay, along with a lot of you, I haven't explored the music of Ornette Coleman to the extent that I probably should have. I've "always" admired "Lonely Woman," and as Bishop explains, on a disc of Coleman tunes that nobody ever does, "Lonely Woman" is the exception because, he writes, "I've been playing it for 20 years and it deserves to be here." Bishop's quintet includes two reedmen, Richard Cole and Tim Willcox, who join forces... read more

Alon Farber Hagiga - Dreams I Dream
by Thierry De Clemensat, Paris Move

A Dream in Eight Movements: Alon Farber's Hagiga and the Architecture of Imagination

5-STARS What could be more beautiful than surrendering oneself to the unexpected, being swept into the creative universe of an artist whose vision is at once personal and expansive? For some, Alon Farber is a familiar name, known through previous recordings. For others, like myself, his music remained a whispered rumor until recently. In 2024,... read more

Ben Patterson Jazz Orchestra - Mad Scientist Music
by Dick Metcalf, Contemporary Fusion Reviews

Brilliantly balanced jazz sophistication Ben Patterson Jazz Orchestra - MAD SCIENTIST MUSIC:

This album is one of the most brilliantly balanced jazz albums I've ever listened to. If you're craving the ultimate in hip, you'll find the 7:23 "The Mixup" fills that bill very nicely... unpredictable, yet totally accessible... you'll find yourself grooving right along on every notel

From my perspective, it was (unquestionably) the 6:27 closer,... read more

Affinity Trio - Hindsight
by Tom Haugen, Take Effect

The trio of Eric Jacobson, Pamela York and Clay Schaub, as Affinity Trio the midwest outfit pen a timeless version of jazz that spreads out across 10 diverse tracks. The vivid trumpet from Jacobson and warm keys from York opens the listen with the glowing "Open Windows", and "Fitzroy" continues the dynamic interaction with soulful brass and well timed bass lines. Halfway through, "Themes For Ernie" focuses much on the emotive horn and twinkling... read more

Seattle Repertory Jazz Orchestra - Sacred Music of Duke Ellington
by Andrew Lindemann Malone, Jazz Times 2006

Before this review delves into the overarching aesthetic issues which we critics so like to concern ourselves, I should note that the Seattle Repertory Jazz Orchestra's two-CD compilation of pieces from Duke Ellington's three Sacred Concerts provides solid performances of mostly remarkable music. The Oregon Repertory Singers sound especially good under their conductor, Gil Seeley, delivering an exquisite textured account of Duke's a capella... read more

Deep Blue Organ Trio - Wonderful!
by Bob Simpson, Musicisbad.com

By far the best jazz album of the year, the Deep Blue Organ Trio pays tribute to Stevie Wonder with, Wonderful! (Origin Records). A jazz perspective on the soul-pop legend, this is no smooth elevator jazz record. Its organ filled brilliance and over all maturity is a radiant homage done very tastefully. It would be absurd to even consider another Wonder tribute to take place when this one takes the cake. The cuts such as "Tell Me Something Good"... read more

Grete Skarpeid - Beyond Other Stories
by George W Harris, Jazz Weekly

Folksy-voiced Grete Skarpeid mixes originals, poetry and a standard together on this album that has her backed by Aruan Ortiz/p, Rob Waring/vib-perc, Cameron Brown/b and Gerald Cleaver/dr. Her delivery and style is reminiscent of 70s singers, as she gets elliptical like Joni Mitchell on "Like A Bird" and "Holding" while is ethereal like Judy Collins during "Singing Again" and the ethereal "Adam and Eve". Cleaver lays down a military beat to set... read more

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