Browse some recent Origin Reviews.
Hal Galper Trio - Airegin Revisited
by John Barron, The Jazz Word
For a few years now, veteran pianist Hal Galper has been experimenting with an approach to jazz improvisation that he refers to as "rubato." This concept, as demonstrated on a series of recordings for Origin Records, uses familiar pieces and song forms and takes rather spontaneous liberty with tempo and tune structure. This may not seem like anything too out of the ordinary for the solo pianist, but within the context of a trio it would appear... read more
David Friesen Circle 3 Trio - Triple Exposure
by George W. Harris, Jazz Weekly
Bassist David Friesen plays the unique looking Hemage bass guitar in his trio with Greg Goebel/p and Charlie Doggett/dr though eleven originals. The team displays a touch of the cap to Bill Evans on the gentle waltz "Everything We Are" and the softly subtle "Side Step" with Doggett brushing up on "Turn In The Road." Friesen leads the team through a 5/4 dance on"Bright Light Sky" and does some soft spacious work on "Another Time, Another Place"... read more
Hal Galper / Reggie Workman / Rashied Ali - Art-Work
by Ken Dryden, All Music Guide
Hal Galper's recordings always have an adventurous spirit, and the live CD Art-Work is no exception. The veteran pianist, joined by bassist Reggie Workman and drummer Rashid Ali (both veterans of John Coltrane's bands, though not at the same time), launches into a furious exploration of Duke Ellington's simple riff blues "Take the Coltrane," though Galper incorporates dissonance into the introduction and quickly builds steam as he takes the... read more
Scenes - Rinnova
by Ken Dryden, All Music Guide
The trio Scenes, consisting of guitarist John Stowell, bassist Jeff Johnson, and drummer John Bishop, had been working together for nearly a decade by the time of their second recording session. Johnson and Bishop are very familiar from working with one another in pianist Hal Galper's trio as well, while Stowell is a refreshing change from guitarists who hog the spotlight with busy solos, opting instead to make ample use of space. Johnson... read more
Marc Seales - American Songs, Volume 2: Blues...and Jazz
by Chris Spector, Midwest Record
Talk about being in the right place at the right time! Why do you know the opening track on this set by the long time mainstay of Seattle jazz? Because it's a music file in Windows XP making it one of the most listened to pieces of jazz this side of Vince Guaraldi's Charlie Brown themes. With more meat on it's bones than Eno's ta da wave, he knowingly rolls out a set of mostly originals with a little reliance on Miles and Trane for a piano... read more
Michael Dease - Found in Space: The Music of Gregg Hill
by Tom Haugen, Take Effect
The trombonist and baritone saxophonist Micheal Dease explores the works of Gregg Hill, and he's got an excellent cast with him or the adventurous 10 tracks.
The busy and animated "The Last Pop Tune" starts the listen with Bill Cunliffe's flowing keys and Sharel Cassity's bright flute making an impression, and the title track follows with a calmer mood, where Gwendolyn Dease's dreamy marimba suits the well-timed winds and brass... read more
John Stowell | Michael Zilber - Live Beauty
by Chris Lunn, Ancient Victorys
Stowell's inventive, warm approach to the guitar with a delicate touch meets Zilber, whit his big saxophone sound and edgy intensity. They have found a musical vocabulary across the past decade in duo, trio and quartet formats. This is their second quartet undertaking and was recorded live at the California Jazz Conservatory in Berkeley, California. They are joined by the large warm sometimes rumbling bass work of John Shifflett and the... read more
Bill Anschell - Shifting Standards
by George Fendel, High Standards Jazz
Seattle-based pianist Bill Anschell's latest CD, Shifting Standards, is very well suited to the title. He and his trio colleagues offer some melodic invention, rhythmic twists and fresh takes on nine celebrated standards. His bassist, Jeff Johnson, has been a Seattle treasure for many years. Drummer D'Vonne Lewis, a new name to me, offers subtle but strong support. The essence of these nine classics is examined with care and cohesiveness, and... read more
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