Browse some recent Origin Reviews.
Joel Miller - Swim
by Peter Hum, Ottawa Citizen
Ottawa International Jazz Festival Concert Review - For his concert Friday night in the TD Ottawa International Jazz Festival?s Great Canadian Jazz series, Montreal tenor saxophonist Joel Miller brought with him an A-list American ringer. The pianist in Miller?s quartet was not just any U.S. citizen. On the bench was no less than Geoffrey Keezer, a former wunderkind who has played at a world-class level for the last two decades. He and... read more
Anthony Branker - Beauty Within
by Tree Palmedo, Jazz Scene
It is increasingly rare for a jazz composer to not perform his or her own work. Exceptions are often made for large ensemble conductors, like Maria Schneider, but on a quintet date, the only question is usually which band member wrote which tune. This new release by Anthony Branker, however, is a rare occasion in which a composer employs a separate ensemble to realize his music. On this date, this is wholly a good thing. Branker, who taught jazz... read more
Nanami Haruta - The Vibe
by Willard Jenkins, Album Liner Notes
Unlike other members of the family of western instruments, the ranks of the trombone are a bit exclusive—perhaps even more exclusive in the art of the improvisers, the jazz landscape. Which is yet more reason to celebrate the arrival of a new trombone voice in jazz music. Her name is Nanami Haruta and she arrives at this debut recording moment from Sapporo in the Hokkaido prefecture, the northernmost of Japan's main islands. Hokkaido is known... read more
Jay Thomas with the Oliver Groenewald Newnet - I Always Knew
by Paul Rauch, All About Jazz
4 1/2 STARS Jay Thomas has lived the jazz life. He has endured, overcome, and continued to artistically thrive through all the ruminations of a path chosen by few. While much of his life may form a parallel story to those of many, Thomas' version, his personal adjunct to its litany, is a story of artistic triumph that opened doors seldom walked through. It is a musical legacy in Seattle, unmatched in the colorful history of jazz in his... read more
Dann Zinn - Day of Reckoning
by Anthony Dean-Harris, Downbeat
Day Of Reckoning is Dan Zinn's fifth album as a leader and lead it he certainly does. The reedist is very much at the forefront of this music, the band patter for his play. There's a buoyancy to the music here, floating along with ease, the players seemingly having a good time. Most performances, though, are just warm, never scalding hot.
"Continental Divide" gets enjoyably wild early on, until the tune shifts into a simpler gear, coasting... read more
Kobie Watkins - Involved
by Howard Reich, Chicago Tribune
Finally, drummer Kobie Watkins segues from hard bop to jazz funk to unabashedly romantic balladry in his CD "Involved" (Origin Records). If the constantly shifting jazz languages point to a young musician perhaps trying a bit too hard to show everything he can do, Watkins nonetheless handles it all. He benefits from hard-charging contributions from a cast of Chicago all-stars, particularly saxophonists Jarrard Harris and Geof Bradfield,... read more
Jessica Williams - Freedom Trane
by Tom Ineck, Berman Music
Ever since the death of John Coltrane more than 40 years ago, jazz musicians of every ilk have attempted to get at the core of his sound, the key to its immutable power and transcendent spirit. Aside from Coltrane bandmate McCoy Tyner, perhaps Jessica Williams on Freedom Trane comes as close to the source as a piano player is likely to get.
Four of the eight tunes come from the Coltrane songbook, but the other half were written by... read more
Jack Mouse - Range of Motion
by George W. Harris, Jazz Weekly
Jack Mouse drives a team with Scott Robinson/woodwinds, Art Davis/tp-fh, John McLean/g and Bob Bowman or Kelly Sill/b. Mouse?s compositions have a lithe melodicism to them, with themes from ?LaPorta? or ?Hip Check? veering into solos at a whim. There is definitely a pocket for the band to groove on, but it?s about as deep as one on Karma Jeans, as McLean?s fuzzy electric guitar goes more vertical than horizontal in... read more
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