Browse some recent Origin Reviews.
Kim Richmond / Clay Jenkins Ensemble - CrossWeave
by Scott Yanow, All Music Guide
Altoist Kim Richmond and his co-leader, trumpeter Clay Jenkins, contributed six of the nine songs to this sextet session. The originals and the improvisations are very harmonically advanced and thick with chords, while still swinging. The underrated tenor saxophonist Rich Perry takes many creative solos, as does Richmond, Jenkins, and pianist Harold Danko. While none of the originals are destined to become standards in the future, the music is... read more
John Stowell and Dave Liebman - Blue Rose
by VICTOR L. SCHERMER, All About Jazz
In the search for enriched jazz expressiveness, the duet format has been revived, giving the musicians greater space for improvising than a larger group and avoiding the overpowering influence of a rhythm section, while affording an opportunity to engage personalities and "swap notes" with another whose ideas and style are of special interest. Iconic saxophonist Dave Liebman, who thrives in just about any kind of ensemble, recently made a duo... read more
Jared Hall - Hometown
by Editor, Bman's Blues Report
I just had the opportunity to review the most recent release, Hometown, by Jared Hall, and it's quite good. Opening with title track, Hometown, Jared Hall on trumpet and Troy Roberts on tenor sax create the melody, joined by Ben Markley on piano, Michael Glynn on bass and Kyle Swan on drums. Hall takes the first opportunity to explore and creates solid, intuitive melodic statements, punctuated by Markley. Roberts' solo is much more sensual and... read more
Jessica Williams - Touch
by Doug Ramsey, Rifftides
It would have been difficult to imagine that Williams might exceed what she achieved in her 2009 solo concert recording The Art of the Piano. Yet, less than a year later she returned to Seattle's Triple Door and gave this recital glowing with her customary pianistic dazzle and a nearly Brahmsian gravity leavened with wit. The album's title implies more than the exquisite way she addresses the instrument's keyboard and pedals?the pianist's... read more
Jared Hall - Hometown
by Ferdinand DuPuis-Panther, Jazz'Halo (Belgium)
To the album we read: "With HOMETOWN, trumpeter and composer Jared Hall brings listeners into a musically rich reflection on place, purpose, and artistic growth. Born in Spokane and seasoned by vibrant creative communities from Bloomington to Miami and Seattle, Hall returns to his roots with a lyrical voice shaped by decades of performance and collaboration. Here, he celebrates the grounding power of family, shared history, and the joy of... read more
Kobie Watkins Grouptet - Movement
by Chris Spector, Midwest Record
From Chicago and Sonny Rollins he came but now Watkins is based in North Carolina and finds himself kicking it out with a group that came together at the entrance of Yellowstone. Not wide open spaces music, this is solid, straight ahead jazz informed by chops well heated in the crucible of nightly playing with some other real hitters along the way. Almost a decade since his debut as a leader, this second set will be almost unrecognizable to... read more
Ben Patterson Jazz Orchestra - Mad Scientist Music
by George W Harris, Jazz Weekly
Composer and trombonist Ben Patterson puts together a modern sounding big band through some swinging originals. The charts give a hint of Count Basie, as the sections jab from the side like a middleweight boxer on the Rat Packish "The Mixup" featuring the tenor saxes of Tedd Baker and Xavier Perez". Likewise, the reeds are velvety and brass polished as they warmly frame Patterson's trombone on "Anne Marie" and they create bold declarations... read more
Rodney Whitaker - Common Ground: The Music of Gregg Hill
by Chris Spector, Midwest Record
An acknowledged bass ace with a well stamped passport meets a home town cat that had the will but didn't have the way and finds the sweet spot where his world wise chops can bring the composer's modern soul jazz to the world. With an all star crew in tow, this new jazz voice is finally getting his chance to be heard in grand style. Certainly a modern take on civil rights jazz for the woke, this set shows the merits of hanging in there to make... read more
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