Origin Records Reviews



Phil Kelly & The SW Santa Ana Winds - My Museum
by Adam Greenberg, All Music Guide

Switching from his usual partners, the NW Prevailing Winds, Phil Kelly takes on a new collective of musicians here, the SW Santa Ana Winds. The move is from Seattle to Los Angeles physically, and similarly for the musical aesthetic. Despite the core sound being determined by Kelly's arrangements, the players surrounding him (with the exception of NW trumpeter Jay Thomas) change to a slightly more dramatic tone. The compositions are an intriguing... read more

Jim Gailloreto Jazz String Quintet - American Complex
by Adam Greenberg, All Music Guide

For his sophomore effort with the Chicago-based HAWK string quartet in tow, Jim Gailloreto's skill in composition and arrangement for a string quartet has increased notably. Instead of forcing the quartet into a gypsy-jazz romp, Gailloreto keeps the players in their comfort zone -- free from improvisation, and showcasing technical mastery and careful collaboration without sacrificing an austerity of sorts. Over the top of the quartet, though,... read more

Tim Davies Big Band - Dialmentia
by Ric Bang, The Davis Enterprise

You don't often encounter drummers who are also composers, arrangers and producers; Tim Davies is a member of that relatively small fraternity.

He also leads a really big band that usually features (according to his web site) "a mixture of jazz, hip-hop and death metal." It's certainly all of that. The cadre includes nine reeds, eight trumpets, four trombones, two guitarists, two bassists, two keyboardists - I assume these pairs split duties... read more

Brent Jensen - More Sounds of a Dry Martini
by Chris Spector, Midwest Record

So it only took the sax man 20 years to do a follow up to his tribute to Paul Desmond. You want him to repeat himself too much or something? A delightfully classic after hours set of another heaping helping of Brubeck standards with the Desmond touch, this sitting down/thinking man's jazz outing hits all the right notes and then some. Because all the songs are familiar, it plays like comfort food from the right bistro. A swinging, tasty... read more

Brad Goode - Montezuma
by Dave Sumner, Wondering Sound

Another solid outing from trumpeter Brad Goode, who shows from album to album how changing a few little things can have a big effect. Whether it's adding an unusual instrument to the mix or rethinking old standards and modern pop tunes, there's always plenty of interesting stuff going on. His current album has Goode joined by pianist Adrean Farrugia, bassist Kelly Sill and drummer Anthony Lee. Aside from some nifty originals, the highlights... read more

Phil Kelly - Convergence Zone
by Shaun Dale, Jazz Review

Composer/arranger Phil Kelly has some first call help on his latest effort, including Pete Christlieb, Gary Smulyan and Bill Ramsey on woodwinds, Andy Martin and Jay Thomas on brass and pianist Pat Coil, but while they, and others in the ensemble, offer some fine solos, it's really Kelly's behind the scenes and front of the room work that's on display. Kelly leads a 16 piece big band, augmented by string programming by Matt Bennett, through a... read more

Trio Linguae - Kevin Woods / John Stowell / Miles Black - Signals
by Chris Spector, Midwest Record

Three storied improvisers get together to play the kind of intimate, grown up jazz that was the province of Bill Evans and others back in the '50s. Trust me, if they can play with telepathy, they can play composed music with their eyes closed. A tasty set throughout, it probably helps to be a grown up or have aspirational tastes to get the most out of this. Well done and cooking... read more

Rodney Whitaker - Outrospection: The Music of Gregg Hill
by Cedric Hendrix, CirdecSongs

Bassist Rodney Whitaker is both a highly talented instrumentalist and the director of Michigan State University's Jazz program. He and his band (made up mostly of fellow Michigan State faculty members) bring marvelous life to the work of Lansing, Michigan composer Gregg Hill. The band's (quartets and quintets) instrumentals swing hard, riveting the listener from Note One. When vocalist Rockelle Whitaker brings her vocals to the mix on four... read more

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