Origin Records Reviews



Gary Hobbs - Of My Times
by Scott Yanow, All Music Guide

Of My Times has intriguing arrangements by drummer Gary Hobbs that keep the music quite unpredictable. Some selections utilize electronics while others are more straight-ahead. Among the highlights are "Fever" which has an effective vocal by Britta Hobbs and uses an atmospheric bass clarinet, "Hades Ladies," which is reminiscent of early fusion and has Marc Seales playing Fender Rhodes electric piano, and a fairly straightforward "Besame Mucho"... read more

Hans Teuber & Jeff Johnson - Deuce
by Ian Gwin, Earshot Jazz

Veterans of the Seattle scene and kindred "wise musical souls," saxophonist Hans Teuber and bassist Jeff Johnson have aptly named their duo debut. The etymology of "deuce" traces back to the number two, but along the way has picked up the spice of the devil and the underworld aura of the gambling den: like rolling snake eyes, a deuce pins the player at their own game. Similarly, in Deuce, Teuber and Johnson lay down all their cards. With cunning... read more

Benjamin Boone | Philip Levine - The Poetry of Jazz
by Rotcod Zzaj, Improvijazzation Nation

Not everyone who reads my reviews know that I got my start in "show business" doing live spoken-word, so Phil's excellent poetry is a total treat for me... it's earned a permanent place on my iPhone (yikes, I'm running outta' space)... Benjamin's hip & silky sax on tunes like "The Unknowable" is what convinced me it had to be there... there are a whole HOST of other players on this fantastic CD, so long a list, in fact, that you'll need to go to... read more

Michael Dease - Found in Space: The Music of Gregg Hill
by Jeff Becker, Jazz Sensibilities

Listening to Found in Space: The Music of Gregg Hill is akin to stepping into an astral observatory. It's an expedition of sound, and at its helm are the genre-bending compositions of Gregg Hill, shaped into a constellation of creativity by trombonist Michael Dease and his dynamic ensemble. Dease serves as the captain of this vessel, but the true gravitational force here is Hill's writing imagination—a strength that beckons listeners into jazz... read more

Richard Sussman - Live at Sweet Rhythm
by David Franklin, Cadence

Thirty-one years ago, pianist-composer Richard Sussman released an LP (2/79, p. 54) that became something of an
underground Post-Bop classic. To celebrate Free Fall's CD release in 2003, Sussman reconstituted most of the original group (saxist Larry Schneider didn't make it) for a two-night gig at New York's Sweet Rhythm.

Although between the 1979 recording and the 2003 one, trumpeter Harrell, tenorist Bergonzi, bassist Richmond, and... read more

Michael Bisio & Timothy Hill - Inside Voice / Outside Voice
by Grego Applegate Edwards, Applegate Blog

As we play out our lives in real time we trace the unfolding trajectory of the musical artists we gladly follow, so that each new album for example is not set in stone but plays upon the possibilities made available to the musical artist at any given point. In the case of bassist-bandleader Michael Bisio the new one is rather unexpected and in no way a kind of safe haven but rather a new set of risks entailed in a duet recording with... read more

Cathy Segal-Garcia - SOCIAL ANTHEMS, VOLUME 1
by Troy Dostert, All About Jazz

Proving there is still some life in the spirit of '60s activism—and even in the decades beyond it—vocalist Cathy Segal-Garcia gives us six tracks which meld jazz, folk and pop idioms in a way which sounds both classic and contemporary. Drawing on the talents of a fine band and a couple of intriguing guest vocalists, Segal-Garcia delivers these tunes with confidence and a winsome disposition.

Aside from the self-penned "What Are We Gonna... read more

Florian Hoefner - Luminosity
by George Grella, The Big City Blog

Luminosity is the third album from German jazz pianist Hoefner. This is finely made jazz that sits right in the pocket of the mainstream of contemporary style - a prevalent minor key feel, driving rhythms with more than a little rock feel - that is the long tail of Keith Jarrett's European Quartet. The sound is familiar, but this is not a criticism, because it's also involving.

The story behind Hoefner's third release is that, having... read more

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