Browse some recent Origin Reviews.
Emma Larsson - Sing To the Sky
by Chris Spector, Midwest Record
She might have moved from Sweden to New York just a handful of years ago but she transplanted her Euro winning ways to the big apple in fine form and serves up the kind of date that serves as an invitation to see her as many nights as possible in whatever venue she's bringing her jazz vocal chops to. The kind of stuff that was made to pack jazz rooms regularly, Larsson swings and swings like a native and knows what it is to deliver a gasser.... read more
Don Lanphere - Where Do You Start?
by David Franklin, JazzTimes, May 2003
Don Lanphere was alos around during the glory days of bebop, recording with Max Roach and Fats Navarro as early as 1948, but in his case we can still look forward to new music from the 75-year old tenor player. His latest, Where Do You Start? (Origin), recorded with his youthful group of regular band members, once again demonstrates his staying power. This collection of standards and originals provides opportunities for Lanphere to show... read more
Scenes - Silent Photographer
by DS, Western Australian Guitar Player Society
Always great to hear John play in such an interactive trio! The CD features tunes written by jazz composers/players. "Black Eyes" is a Wayne Shorter tune. The guitar solo has nice triplets and chordal passages, nice electric bass solo follows before guitar and drum trades. "Three French Nuns" by Stowell shows a more angular and moody side to his playing. "Chan's Song" is by Herbie Hancock, it is a feature for bass with some lovely... read more
Kiki Valera - Vivencias en Clave Cubana
by Tom McCarter, KZSU - Stanford
Son Cubano is a genre of music and dance originating from the hill country of eastern Cuba during the 19th century. Its origins are a blend of African and Spanish influences. Son vocal style and meter are of Spanish tradition, while its identifiable clave rhythm, call and response, and percussive elements are of Bantu origin. This disc contains> twelve finely crafted original tunes played exquisitely throughout this recording. The innovative... read more
Michael Dease - The Other Shoe: The Music of Gregg Hill
by George W Harris, Jazz Weekly
Co-producer Gregg Hill has his compositions interpreted by the bold trombonist Michael Dease and the team of Virginal MacDonald/cl, Geoffrey Keezer-Luther Alison/p, Liany Mateo/b Colleen Clark/dr and a handful of guests. The addition of MacDonald's clarinet makes for rich ideas, as she's featured on the quirky "Wake Up Call" and her vibrato seduces on "Shorty's Tune". Dease has a horn that is big and brassy, going up and sown the scales on "The... read more
Gabriel Espinosa - The Brazilian Project
by George W. Harris, Jazz Weekly
Composer and bassist Gabriel Espinosa gives a salute to the music of Brazil with a collection of his material that takes on the halcyon days of bossa nova and bring them up to date. He mixes and matches with a collection musicians in Roger Rocha/as-ss-fl, Josue Lopez/ts-fl, Daniel Freire/bars, Bruno Santos/fh, Rafael Rocha-Joabe Reis/tb, Andre Lopez-Felipe Silveira-Eduardo Farias/p, Giovani Malini/g, Hugo Maciel/eg Renato Rocha-Rafael Barata/dr... read more
Michael Vlatkovich Tritet w/ Jonas Tauber and Ken Ollis - Queen Dynamo
by Adam Greenburg, All Music Guide
A deeply interesting album of progressive jazz from the Portland trombonist Michael Vlatkovich. Abandoning his usual big band, Vlatkovich instead takes up a small trio (actually a "tritet" by his own account) of bass, drums, and himself on trombone. Joining Vlatkovich in the trio are Swiss classically-oriented bassist Jonas Tauber, and fellow Portland drummer Ken Ollis. The music is largely improvised, with some structure imparted by Vlatkovich,... read more
Bill Anschell - Figments
by C. Michael Bailey, All About Jazz.com
Bill Anschell is a lot of things. He is house pianist and mainstay at Origin Arts, showing up on a wide range of projects. He also contributes to this publication, writing with grace on craft of jazz. But, late at night, he is a musical James Joyce, spinning musical thread off the top of his head. And so he does on Figments.
Recorded over a series of late nights, after practicing his chosen craft, Anschell clears his mind and...begins... read more
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