Browse some recent Origin Reviews.
David Friesen Circle 3 Trio - Triple Exposure
by Ric Bang, Jazz Scan
I sometimes wonder what it must have been like, to be present at a concert given by one of the true masters. Well, I've never been lucky enough to catch bassist David Friesen in person, but - thanks to the magic of albums - I can listen to him any time I so desire. Anyone similarly lucky is blessed.
Friesen, now 74 years old, got his start with the ukulele at age 10; he graduated to the guitar six years later. At that point he was 19, during... read more
Hal Galper - Live at the Berlin Philharmonic, 1977
by Georg Modestin, Jazz N More (Switzerland)
Born in 1938, he has remained a "musicians' musician" despite a long career as an instrumentalist, band leader, composer, arranger and teacher. He was a member of the Cannonball Adderley quintet for almost three years, followed by a further ten in that of Phil Woods. In the second half of the 1970s he himself headed a band whose line-up is easy to find: the two Brecker brothers Randy and Mike formed the explosive front line, Wayne Dockery (not... read more
Piet Verbist Zygomatik - Cattitude
by Jan van Leersum, Roots Time (Belgium)
Piet Verbist (bs) studied at the Conservatory of Brussels, where he was taught by, among others Hein van de Geyn and Dave Holland. He played in many groups such as the Ben Sluijs Quartet, Trio Ancesthree, Jan de Haas Quintet eva But he is best known as the bassist of the Jef Neve Trio, his first CD came out on Verbist's label contour. But it is with his own group Zygomatik that he completely lost his egg can we hear an energetic mix of jazz,... read more
Hal Galper - O's Time
by Dan McClenaghan, All About Jazz
It's hard to be innovative in the piano trio format. The last big change happened in the late fifties and early sixties, with pianist Bill Evans' groundbreaking trio featuring bassist Scott LaFaro and drummer Paul Motian. The democratization of input and interplay changed the trio game, and countless groups have worked on refining that Evans approach ever since. A more recent development has been bombast and the inclusion of rock and popular... read more
Todd Bishop Pop Art 4 - 69 Annee Erotique: Music of Serge Gainsbourg
by Dan McClenaghan, All About Jazz
69 Annee Erotique gets extra credit for off-the-beaten-path-ness. It is a work celebrating the music of the late French pop songster Serge Gainsbourg (1928- 1991), by Portland Oregon-based Todd Bishop's Pop Art 4. Gainsbourg, whose name may not be person-on-the-street familiar in the United States, was a pop icon in France from the late-1950s to the 1980s, a musical renaissance man of sorts who delved into jazz, pop, reggae, soundtracks,... read more
Jovino Santos Neto Quarteto - Mais Que Tudo: Live at Kerry Hall 1995
by Dee Dee McNeil, Making a Scene
Brazilian Pianist, Jovino Santos Neto left Rio de Janeiro and relocated to Seattle in 1993. He established himself at Cornish College of the Arts, a thriving incubator of creativity, since the early 1900s. Within weeks his reputation spread. Musicians from all over were drawn to Jovino's unique blend of Brazilian, classical and jazz music. Neto formed a group with his fellow faculty members. This 'live' recording captures the first public... read more
Kobie Watkins Grouptet - Movement
by Chris Spector, Midwest Record
From Chicago and Sonny Rollins he came but now Watkins is based in North Carolina and finds himself kicking it out with a group that came together at the entrance of Yellowstone. Not wide open spaces music, this is solid, straight ahead jazz informed by chops well heated in the crucible of nightly playing with some other real hitters along the way. Almost a decade since his debut as a leader, this second set will be almost unrecognizable to... read more
Rodney Whitaker - All Too Soon: The Music of Duke Ellington
by Bob Doerschuk, DownBeat
For bassist Rodney Whitaker, making an album is a serious endeavor. "Recordings are diaries of where you are in your life," Whitaker told DownBeat. "But they're also about doing research. And doing research, then being able to communicate and talk about it, that's a beautiful thing for me."
That was basically the plan when Whitaker recorded All Too Soon: The Music Of Duke Ellington (Origin), a project preceded by no less than 20 years of... read more
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