Browse some recent Origin Reviews.
Chad McCullough & Bram Weijters - Abstract Quantities
by Tom Greenland, New York Jazz Record
Antwerp-based pianist Bram Weijters and Chicagoan trumpeter Chad McCullough co-lead Abstract Quantities, with bassist Piet Verbist (another Antverpian) and Seattle drummer John Bishop, a quartet that has developed close musical and personal chemistry over its five-year history. The leaders share compositional chores, penning compelling themes like "Little Song (for Mirthe)" and the carnivalesque "Acceptance or Denial", but the strength of the... read more
Bobby Rozario - Spellbound
by Michael van Gee, Jazz'n'More (Switzerland)
Bobby Rozario, who lives in New York, is a guitar virtuoso with Indian and Brazilian-Portuguese origins and a musician who--familiar with Indian classical music--grew up primarily with jazz and blues. His guitar playing, reminiscent of Carlos Santana, combines Indian raga melodies with Afro-Latin and fusion sounds. On Spellbound, Bobby Rozario delves deep into Latin and Afro-Latin rhythms, with the eleven tracks firmly grounded by the... read more
Michael Orenstein - Aperture
by Chris Spector, Midwest Record
An LA based jazz piano cat t hat's paid his dues while being influenced by Herbie Hancock seems to have waited until just the right time to deliver his auspicious debut. Kind of smooth jazz with bite, this is top shelf sitting down jazz that moves and grooves with fine style and chops. Classy throughout, this is the tour de force you are always looking... read more
twopool - Traffic Bins
by John Barron, The Jazz Word
Twopool is an experimental quartet led by cellist/bassist Jonas Tauber with fellow Swiss musicians Andreas Tschopp on trombone, alto saxophonist Andrea Oswald and drummer Christian Wolfarth. Their disc Traffic Bins, part of Origin Records' Z�rich Series, consists of thirteen tracks of completely improvised musical conversations.
Amid the clang and clatter emerge sensible developments of theme and rhythm, basking momentarily in thick tension... read more
Deep Blue Organ Trio - Wonderful!
by Jennifer Odell, Downbeat
Earlier this year, the SFJAZZ Collective reminded listeners of the incredible flexibility Stevie Wonder incorporated into so many of his hits when the group named the legendary singer and songwriter as its muse for its album and tour. Attention-wise, that fact may overshadow the new Wonder homage released by Chris Foreman's organ trio--but it would be a shame. The trio, which has been together for more than a decade, plays together every Tuesday... read more
David Friesen with Orchestra and Quartet - Testimony
by Cedric Hendrix, CirdecSongs
Bassist David Friesen has been a part of the jazz scene for more than 50 years. Clearly, he has nothing to prove. Testimony (Origin Records) feels almost like a work of classical music, regardless of whether he's working with a quartet or an orchestra. The music is deep and intimate, rarely shouting louder than a whisper. It has the sound of the veteran musician baring his soul for all to hear. We are fortunate to be able to accompany Friesen on... read more
Tom Collier - Impulsive Illuminations
by Hobart Taylor, KUCI - Irvine, CA
Not for the inattentive listener, this deeply engrossing music composed by vibraphone/marimba player Collier treads the ground of "pure", non-generic music. This music could be at home in a symphonic concert hall, a jazz night club, an electronic music seminar, or a Zen Center. Collier and his renowned colleagues, (Bill Frisell, guitar, Cuong Vu, trumpet, etc) stay gloriously true to their abstractions and improvisations.... read more
Thomas Marriott - Romance Language
by Nigel Jarrett, Jazz Journal (London)
Jazz might be called the art of theme and variations, the art applying as much to the theme as the way a musician plays around with it. Everyone knows the themes, the tunes, whether written by a jazz composer/musician or someone working in a showbiz area considered not unadjacent. But rarely does anyone devote as much attention to the tune as unadorned entity as trumpeter Thomas Marriott does on this generally slow-tempo album.
If there is... read more
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