Browse some recent Origin Reviews.
Kelly Sill / Jim McNeely / Joel Spencer - Boneyard
by Ken Dryden, all about jazz.com
Jim McNeely, Kelly Sill and Joel Spencer are three old friends who have played together on occasion over the decades but never recorded as a trio until now. Although Boneyard refers to a creek in Champaign, Ill., it might conjure thoughts of overly familiar standards and jazz compositions as performed on many releases. But this trio avoids common paths by disguising introductions, inserting catchy vamps and chord changes in their offbeat... read more
Benjamin Boone | Philip Levine - The Poetry of Jazz
by Joshua Tehee, Fresno Bee
Very often, when poets get together with musicians, there's a reactionary thing that happens.
The band just sort of plays to the reading.
And that wasn't going to work for Benjamin Boone. Not when he was collaborating Philip Levine, a Pulitzer Prize winner and National Poet Laureate who wrote tributes to the likes of Charlie Parker and John Coltrane. Not when Levine was at least partially responsible, on the basis on his name alone, for... read more
Sam Yahel - Truth And Beauty
by Pico, Something Else Jazz Blog
Joey deFrancesco. Tony Monaco. Larry Goldings. Barbara Dennerlein. All at the forefront of the current generation of jazz organists and heirs to the mantle of Jimmy Smith, Charles Earland and Jack McDuff.
Oh yeah, there's one more notable: Sam Yahel. But with the release this week of his fourth effort Truth And Beauty, Yahel is making the case that there is still room for another distinctive voice in the well-established world of the... read more
Todd Bishop - Little Played Little Bird
by Scott Yanow, L.A. Jazz Scene
Drummer Todd Bishop and his quintet with Richard Cole (bass clarinet, baritone, tenor and soprano), Tim Willcox (tenor and soprano),
keyboardist Weber Iago, and bassist Bill Athens, pay tribute not so much to Ornette Coleman's style and sound, but to his compositions. Of
the eight songs, only "Lonely Woman" (Coleman's greatest hit but taken in a different direction than usual) has been performed much
since being debuted by the altoist up to... read more
George Colligan & Theoretical Planets - Risky Notion
by Tree Palmedo, Jazz Society of Oregon
It's a common scene at a Portland jam session: George Colligan walks in, sits at the piano and rips a nimble bebop solo. George Colligan pulls out his pocket trumpet, plays a subdued solo, then moves to the bass--you see where this is going. Colligan's multi-instrumental prowess is well known, but until Risky Notion, the acclaimed pianist had never recorded an album on drums.
The project isn't just a novelty. Colligan's played with some of the... read more
Brittany Anjou - Enamigo Reciprokataj
by Georges Tonla Briquet, JazzHalo (Belgium)
Jazz (improvisation) and Esperanto are two equal entities with a universal character for the American pianist Brittany Anjou. Hence the CD title in Esperanto (mutual love). It is not surprising that her compositions contain characteristics from all over jazz history and that she constantly switches from one perspective to the other. Swing and bop thrive smoothly alongside rock and latin. She is also a fan of both Ahmad Jamal and Stravinsky.... read more
twopool - Traffic Bins
by Jayson Greene, emusic Review
Quartet of alto sax, trombone, drums, and cello for some serious avant-garde music. Chaotic free jazz interspersed with sublime classical interludes. If you need a dissonance fix, stop here and... read more
Brittany Anjou - Enamigo Reciprokataj
by Donald Elfman, New York City Jazz Record
For pianist Brittany Anjou's new recording, she uses Esperanto for the title (translated as "Unrequited Love") as a symbol for the international language utilized to create her music.
The not-quite-centerpiece of the recording is the five-part Reciprokataj Suite—not-quite because the sections are 'interrupted' by other originals yet the album feels like a beautifully unified whole. The disc opens with "Starlight", which finds electronic... read more
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