Browse some recent Origin Reviews.
David Friesen Circle 3 Trio - Where the Light Falls
by George W. Harris, Jazz Weekly
The romantic and lyrical Circle 3 Trio of David Friesen/b, Greg Goebel/p and Charlie Doggett puts together a 2 disc set of studio and concert material, which also includes a healthy dose of LA's best, guitarist Larry Koonse. The team is able to create some lively tunes like the Metheny-esque 5/4 dance "Playground" and the skating "Overland" while they show their bop chops on the grooving "Blue 10." Each artist gets a chance in the... read more
Storms/Nocturnes - VIA
by Jerome Wilson, Cadence
Via features a more experienced British musician, saxophonist Tim Garland, working together as a trio with American pianist Keezer and vibes layer Locke, as they did a decade earlier. I've seen this group compared to the team of Gary Burton and Chick Corea, but of course there was no saxophone in that group. Garland adds an extra drive to the formal prettiness that Keezer and Locke set up whether he is dancing ceside them on soprano sax or... read more
Chris Walden Big Band - Full-On!
by Scott Yanow, Downbeat
A busy arranger-composer in Los Angeles for the studios, films and television, Chris Waldon has also been leading a worthy if part-time jazz big band. On Full On! six singers are featured on seven selections, but Walden's orchestra is never merely in the background. In fact, with a few exceptions, the singers can be thought of as guest soloists who take their turns in the spotlight along with the instrumental soloists and the... read more
Geof Bradfield - melba!
by Jeff Tamarkin, JazzTimes
The Melba of the title is Liston, a trombonist, composer, and arranger who built a formidable reputation in a mostly male world both as a leader and in her arranging and playing with Gerald Wilson, Dizzy Gillespie, Dexter Gordon, Art Blakey, Count Basie and, especially, beginning in the late 50's Randy Weston. Weston gives saxophonist and clarinetist Bradfield his blessing in the album's liner notes, and the acclaim is deserved.... read more
Roy Assaf & Eddy Khaimovich Quartet - Andarta
by Ric Bang, The Davis Enterprise
Pianist Roy Assaf and bassist Eddy Khaimovich hail from Israel, as does Romen Itzik, the drummer in their quartet. But they didn't know each other before they met in New York in 2006, while attending the Manhattan School of Music.
Both Assaf and Khaimovich began their musical careers playing in classical organizations in Israel; neither became involved in the jazz scene until they'd been in the States for several years. They soon were... read more
Wellstone Conspiracy - Motives
by Adam Greenberg, All Music Guide
The mostly Seattle-based quartet Wellstone Conspiracy originally formed from notables on the Seattle scene backing up Idaho-based sax player Brent Jensen on a 2006 album. With their sophomore release, the group formed a more democratic name and continued their deep presentation of Northwest jazz at its purest. There's a careful interplay between the classic sorts of sounds encapsulating the urban nightclub aesthetic and more open, smooth, and... read more
Harvie S - Bright Dawn
by Editor, Modern Drummer
After a long career in modern jazz, then playing (and studying) Afro-Cuban music for the last 30 years, bassist Harvie S is combining everything on his
new recording Bright Dawn, although the record does lean more towards modern jazz. Drummer Matt Wilson, pianist Miki Hayama, and Harvie create an elastic trio that is augmented by Peter Bernstein's lyrical guitar. Wilson and Harvie break up the time with panache', while Bernstein floats atop... read more
John Gross / Billy Mintz - Beautiful You
by Adam Greenburg, All Music Guide
Beautiful You is a surprising work of modern free jazz from Portland's John Gross on the tenor sax and LA transplant Billy Mintz on drums. The sound is a little sparse for the majority of the album, due largely to the fact that there are only two instruments involved, but also to the style of composition embraced here, with heavy use of empty space and quiet accompaniment. The album opens with the energetic Shmear, giving Mintz plenty of room to... read more
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