Browse some recent Origin Reviews.
Ben Paterson - For Once In My Life
by Thomas Conrad, JazzTimes
The jazz audience contains people, present company not necessarily excepted, who are resistant to the charms of the Hammond B-3. They find it a somewhat vulgar instrument, with unpleasant, artificial sonorities. They all need to meet Ben Paterson. He may be the most purely musical organist out there. He is not into shrieking and raising hell. He is not about sweat and grease. His virtues are ones not normally associated with the B-3, such as... read more
Phil Kelly & The SW Santa Ana Winds - My Museum
by Joseph Blake, Times Colonist, January 14, 2007
Fans of little Port Townsend, Washington's celebrated jazz festival will recognize L.A.-Seattle jazz stars like Pete Christlieb, Bill Ramsay, Jay Thomas, Lanny Morgan, Gary Foster and Greta Matassa from this fine, 18-piece band directed by Bellingham-based Phil Kelly. Kelly has semi-retired from an L.A. studio life that included writing music for 700 commercials, film and TV work, and compositions and arrangements for a host of acclaimed big... read more
Scott Hesse - The Stillness of Motion
by Dave Sumner, Bird is the Worm
Enjoyable straight-ahead jazz guitar trio. Hesse develops a pleasantly talkative mode on his guitar. The bass and drums duo of Clark Sommers & Makaya McCraven clearly speak Hesse's... read more
Chris Walden Big Band & The St. John's Choir - Kurt Marti Suite
by Jack Bowers, All About Jazz.com
It's hard to wrap one's arms around this CD by composer/arranger Chris Walden. On the one hand, Walden has coupled his intrepid ensemble of talented southern California sidemen with the 100-member St. John's Choir from Hamburg, Germany (his hometown), to set to music works by the renowned Swiss poet/lyricist Kurt Marti. On the other, the playing time is only 36:55?less than half a disc's worth?and that includes a five-minutes-plus "bonus" track,... read more
Richard Sussman - Live at Sweet Rhythm
by David Franklin, Cadence
Thirty-one years ago, pianist-composer Richard Sussman released an LP (2/79, p. 54) that became something of an
underground Post-Bop classic. To celebrate Free Fall's CD release in 2003, Sussman reconstituted most of the original group (saxist Larry Schneider didn't make it) for a two-night gig at New York's Sweet Rhythm.
Although between the 1979 recording and the 2003 one, trumpeter Harrell, tenorist Bergonzi, bassist Richmond, and... read more
Cuong Vu - Leaps of Faith
by Shaun Brady, Jazziz
Q&A with Cuong Vu: Back in Seattle
With his career heating up following a stint in the Pat Metheny Group, in 2006 Cuong Vu made the opposite of the usual exodus and moved from New York City back to his former home of Seattle. There the Vietnamese-born trumpeter, now 41, revitalized the young jazz scene centered around the university of Washington. One former student, bassist Luke Bergman, appears on both of Vu's new releases: 'Leaps of... read more
Mimi Fox - This Bird Still Flies
by Andrew Gilbert, The Mercury News
BEST OF 2019 Vallejo guitarist Mimi Fox extends her reputation as one of jazz's finest solo practitioners with an eclectic set unified by her unabashedly open-hearted sensibility as she transmutes folk tunes, jazz standards, original compositions and popular songs into revelatory personal... read more
Bobby Broom - Song And Dance
by Tad Hendrickson, JazzWeek
THERE'S BEEN A school of thought since the '60s that jazzmen can groove and vamp their way through any modern pop song, keeping the accessibility but jazzifying it. Song And Dance is cut from that mold, opening with the Beatles' "Can't Buy Me Love" and following it with a decent version of the fluffy classic "Where Is The Love." More interesting is Broom's take on the Little Rascals theme "Good Old Days," which I remember enough to know that... read more
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