Origin Records Reviews



Cathy Segal-Garcia - SOCIAL ANTHEMS, VOLUME 1
by Chris Spector, Midwest Record

Bob Lefsetz keeps saying things are messy these days because music doesn't drive the culture anymore. Part of the problem is that no one is driving the music. SoCal jazz vocalist Sega Garcia reaches back to the 60s to refashion some anthems the kids aren't punching up on You Tube anyway for a new airing with a new audience. Rounding up some real A teamers for her label debut, her renditions take you someplace different that's a place you need to... read more

Mark Zaleski - OUR TIME: REIMAGINING DAVE BRUBECK
by Jim Hynes, Making a Scene

Our Time is far edgier than one might guess, considering that the Mark Zaleski Band is reimagining the music of Dave Brubeck. Mark Zaleski is featured here on alto and soprano saxophone alongside tenor saxophonist Jon Bean, pianist Glenn Zaleski, guitarist Mark Cocheo, bassist Danny Weller, and drummer Oscar Suchanek. In addition, Our Time features guest vocalist Michael Mayo on Brubeck's "They Say I Look Like God".

The album is a... read more

Phil Kelly & The SW Santa Ana Winds - My Museum
by Harvey Siders, JazzTimes, September 2007

In 2003 a cross-pollination of Pacific Northwest and L.A. jazz communities resulted in Kelly's first Origin album, Convergence Zone. It happened again in '06, leading to this masterpiece. No rehearsal time. As Kelly explained, "It was straight gonzo." Thanks to the growing comfort level, the guys simply devoured the charts. "Jeannine," "Daydream" and "Zip Code 2005" reveal Kelly's expertise with taut clusters. "It's a Lazy Afternoon" (in... read more

Bobby Broom - The Way I Play: Live In Chicago
by Paul Christopher Dowd, All About Jazz

On his album, The Way I Play, Bobby Broom explores the more traditional guitar-led trios in the manner of Wes Montgomery and Kenny Burrell. Broom, now in his second stint as a sideman with Sonny Rollins, made his Carnegie Hall debut with the sax legend at the tender age of 16. He has also played with Burrell, Stanley Turrentine, Dr. John and Miles. The Way I Play is the first live recording for his band, which includes longtime bassist Dennis... read more

Dave Hanson - Blues Sky
by George W Harris, Jazz Weekly

Dave Hanson plays piano and Fender with his team of Mark Simon/b, Paul Romaine/dr and guest Wil Swindler/ts-as on this collection of bluesy originals. On piano, Hanson has that classic warm feel a la Kenny Barron, as he shifts gears on the post bopping "Arnhem" and is lyrically stately around Romaine's brushes during "As It Was And Is", niftily veering through Simon's bass lines on "Cross Steps" and boogalooing with him on "Dylan Dream". His... read more

Thomas Marriott - Both Sides Of The Fence
by Jeff Krow, Audiophile Audition

Recorded two years after his Origin Records debut Individuation, Marriott is back with his second Origin release, Both Sides of the Fence. What stands out about this release is the song selection, a mixture of three Marriott originals along with an impeccably well chosen six other tunes by such artists as Ellington, Corea, and Hubbard. Recorded in Seattle, with noted local players, with the addition of two special guests - present day Seattle... read more

Tito Carrillo - Opening Statement
by George Fendel, Jazz Society of Oregon

For some 15 years, Carillo has been Chicago's post-bop standard bearer. A trumpet player in the tradition of Freddie Hubbard or Woody Shaw, Carillo leaves no doubt that he's a force in the power department. His basic group includes Windy City colleagues Benjamin Lewis, piano, Lorin Cohen, bass, and Dana Hall, drums. Two saxophone players are guests on a number of selections, bringing the quartet to a quintet. Eight of the ten tunes played here... read more

Jim Norton Collective - Time Remembered: Compositions of Bill Evans
by George W. Harris, Jazz Weekly

RINGER OF THE WEEK - While this collection represents a tribute to Bill Evans' compositions, Jim Norton could easily have subtitled this as a remembrance of another Evans, Gil. The woodwind/bandleader here focuses on the famed pianists work as a writer, but Norgon brings together a big band that includes enough brass and reeds to bring to mind vintage sessions like Miles Ahead and Porgy and Bess from the Miles Davis/Gil Evans... read more

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