Browse some recent Origin Reviews.
Clay Giberson - Mirador
by Lee Prosser, Jazz Review
Recorded October 18, 2000 at Dead Aunt Thelma's recording studio in Portland, Oregon, MIRADOR introduces the music and piano work of composer Dave Giberson. A highly gifted pianist, I was reminded at times of the late jazz pianist great, Bill Evans. Dave Giberson has a nice, tight, melodic sound that is uniquely his own, and he demonstrates it on this CD.
Giberson is accompanied by Dave Captein on bass and Chris Lee on drums, excellent jazz... read more
Dan McCarthy - Epoch
by George W. Harris, Jazz Weekly
Dan McCarthy leads a quartet with his vibes and compositions, bringing together a simpatico and sensitive band of Ben Monder/g, Mark Feldman/vi and Steve Swallow/b. The focus is on dreamy atmospheres, hovering on "A Dream, Awake" and floating with Big Sky spaces during "Fugitive Epoch." McCarthy's vibes have a gentle chime, sighing to Feldman's crying strings on the chamber mooded "Softly She Sings Her Song" and quietly bubbling on "Desert... read more
Tito Carrillo - Urbanessence
by Carmel de Soto, Jazz Music Archives
Tito Carrillo's latest album, "Urbanessence" on Origin Records, is a must-hear. This trumpet player and composer is mixing it up, blending jazz, salsa, Latin jazz, gospel, blues, funk, and soul to create a unique and magical musical experience. Carrillo even included an original track from Phil Koceril to mix things up even more.
Carrillo's ensemble is a powerhouse, featuring himself on trumpet, Troy Roberts on tenor and soprano saxophones,... read more
Dan McCarthy - City Abstract
by Chris Spector, Midwest Record
Call me insular, but I've never thought Carla Bley got the respect and recognition she really deserved. As long as I'm complaining, I've never thought vibe fans have gotten the love they deserve. Here's one record that rights many wrongs. Inspired by classic Bley/Gary Burton collaborations and loaded with stunning vibe playing throughout, McCarthy comes home to Canada, rounds up some jazzbos that you are sure to be hearing from and tips the cap... read more
Anthony Branker and Ascent - Together
by Kirk Silsbee, Downbeat Magazine
Composer Anthony Branker has six of his songs played by a capable ensemble, but he curiously takes credit as "musical director" as well. Presumably that means he handled the arrangements, but what else? Listening alone doesn't make it clear.
What is clear is that this is a good, if not groundbreaking, small band jazz album. The tunes bring to mind a milder version of what Art Blakey or Horace Silver's bands might be playing if those two... read more
Ray Vega & Thomas Marriott - East-West Trumpet Summit
by John Barron, All About Jazz
East-West Trumpet Summit is a rollicking showcase for longtime friends Ray Vega and Thomas Marriott. Vega, a New York native and the elder of the two, has served for many years as a mentor to Seattle's Marriott. The two first met when Marriott was a student at the University of Washington in Seattle, and Vega was in town touring with the late Tito Puente. Friends ever since, the two trumpeters share an affinity for hard-blowing,... read more
Phil Kelly - Convergence Zone
by Stephen Fratallone, Jazz Connection
Composer and arranger Phil Kelly has written volumes of stuff during the past 40 years for recording artists, bands, symphony pops, film, television, and commercials and now at age 65, he has finally gotten around to write some music for himself. The fruit of his labors are on his debut CD for Origin Records, Convergence Zone: Phil Kelly And The NW Prevailing Winds.
Convergence Zone is an apt title for this project. A "convergence zone" is... read more
Sarah Partridge - I Never Thought I'd Be Here
by George W. Harris, Jazz Weekly
Sarah Partridge does the composing here, yet sounds a bit more in the modern jazz tradition. With the team of Allen Farnham on piano, bassist Bill Moring, Tim Horner on drums, guitarist Paul Meyers, Scott Robinson on woodwinds, and trombonist Ben Williams she is able to display sophistication on mature ballads such as "Eager Is The Night" and " Caverns of My Heart." Her voice is quite flexible, and she shows she can hit the blue notes well on... read more
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