Browse some recent Origin Reviews.
Alon Farber Hagiga with Dave Douglas - The Magician: Live in Jerusalem
by George W Harris, Jazz Weekly
Saxist and leader Akib Farber delivers a concert at the Israel Museum in Jerusalem with special guest on trumpet Dave Douglas along with a local team of Yehonatan Cohen/ts-cl, Oded Meir/tb, Katia Toobool/p, Assaf Hakimi/b and Roy Oliel/dr. The team is in an effervescent mood, with Douglas bright and dramatic working on his own "Persistence of Memory" and leading the gallop along with the horns on "Spring Ahead". Hakimi gives a hip and funky feel... read more
Joe Locke - Subtle Disguise
by Editor, JazzTimes
JazzTimes Track Premier Locke is joined on "Subtle Disguise" by guitarist Adam Rogers, keyboardist Jim Ridl, bassist Lorin Cohen, and drummer Samvel Sarkisyan. Elsewhere on the album, there are appearances by guitarist/singer Raul Midón, alto saxophonist David Binney, and singer Alina Engibaryan. Seven of the album's nine tracks, including the title cut, are originals; the two remaining songs are Bob Dylan's "Who Killed Davey Moore?"... read more
Maddie Vogler - While We Have Time
by Dan McClenaghan, All About Jazz
In the introduction to alto saxophonist Maddie Vogler's debut recording, While We Have Time, are two striking images. The first is the cover shot, a pair of venerable unmatched hands, depicting those of the artist's immigrant grandmothers, beautifully and simply adorned. The second image is the inside photo of a vibrant young woman, an alto saxophone cradled in her hands. Maddie Vogler.
Unusually for a debut, it is a set of all originals, but... read more
Various Artists - Winter: An Origin Records Holiday Collection
by Carol Swanson, christmasreview.com
Winter is a solid jazz compilation by Origin Records, a label created in 1997 by Seattle drummer John Bishop. The label's focus is primarily on significant Northwest artists, and this CD is a perfect example of the burgeoning jazz community abounding in the Seattle area. Joining Bishop on this instrumental CD are Hans Teuber (saxophones, piano), Dave Peterson (guitar, piano), and Jeff Johnson (bass).
Slip this CD into the audio system, and... read more
Phil Kelly & The SW Santa Ana Winds - My Museum
by Forrest Dylan Bryant, JazzTimes, February 2007
Like their meteorological namesake, this California counterpart to Phil Kelly's Seattle-based big band is breezy, warm, and unmistakeably L.A. The first half of the program finds the 19-piece ensemble working hard-swinging modern arrangements, until the title track slows things down with full strings and a soulful vocal by Greta Matassa. From there the band cruises along on some light funk and Latin numbers before coming full circle, ending... read more
Doug Beavers 9 - Two Shades of Nude
by Bill Milkowski, JazzTimes
"A former Mingus Big Band member and Eddie Palmieri sideman, trombonist-composer-arranger Doug Beavers assembled a fine New York crew for his second outing as leader. There are several fine originals here: the exhilarating title track; "Lapse," a beautiful ballad feature for pianist Henry Hey; the brooding, suitelike "Brink"; and the dynamic "Scurry," featuring some heated exchanges between trumpeter Alex Sipiagin and tenor saxophonist Marc... read more
Robby Ameen - Diluvio
by George W. Harris, Jazz Weekly
Rich post-bop sounds are delivered by drummer Robby Ameen as he brings in a two sax arsenal of Troy Roberts/ts-ss and Bob Franceschini/ts-ss-bs as well as trombonist Conrad Herwig to front the rhythm team of Edsel Gomez-Bill O'Connell/p-key, Lincoln Goines/b and Mauricio Herrera/perc through some percolating arrangements. The horns weave through the assertive and snappy pieces like "Fast Eye" and they get thick with Franceschini on bari during... read more
Matt Jorgensen + 451 - Another Morning
by Dan McClenaghan, All About Jazz.com
Matt Jorgensen + 451 has created a distinctive music, a free flying jazz sound with a 1960s rock sensibility, bursting with enormous chops. It's a mix of Ryan Burns' often out there, Jimi Hendix-ian keyboard work (wailing on Fender Rhodes, organ and Moog ), Mark Tayor's bite-of-lime saxophone tang, Jorgensen's multi-layered percussion complexities and Phil Sparks' deep in the pocket bass work. Mix it up and it's unmistakable on the blindfold... read more
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