It's clear that the Pacific Northwest - and Seattle in particular - have become a serious and thriving jazz center.
Pianist Bill Anschell makes his home in that area. This CD features his basic trio - piano, bass and drums - on nine of the 11 tracks; he adds a sax on three cuts, and a trumpet on two others. Five of the tunes are familiar standards, while the other six are Anschell originals.
The standards may be familiar, but the... read more
Let me first preface this review by saying that whenever I hear the word ?free jazz' I always cringe. Not that I have anything against free jazz per se ? there are some groups that do it extremely well thinking back to Ornette Coleman, Don Cherry and Steve Lacy to more recent excursions by Dave Douglas, Greg Osby and David Binney. And then there are other groups that, well, I would be hard pressed to classify as music.
The trick is trying to... read more
For his sophomore effort with the Chicago-based HAWK string quartet in tow, Jim Gailloreto's skill in composition and arrangement for a string quartet has increased notably. Instead of forcing the quartet into a gypsy-jazz romp, Gailloreto keeps the players in their comfort zone -- free from improvisation, and showcasing technical mastery and careful collaboration without sacrificing an austerity of sorts. Over the top of the quartet, though,... read more
3 1/2 STARS Young tenorman Lucas Pino has led a monthly residency at Smalls Jazz Club with his smart nine-piece ensemble since March 2013, which explains why the band sounds so tight and cohesive on its self-titled debut, No Net Nonet. Out of the gate, the band navigates blistering, breakneck lines with hairpin precision on opener "The Fox," which features well-articulated serpentine runs from the leader followed by a more spacious... read more
Bill Anschell is a pianist arranger who provides here that subtle miracle of jazz performance, making an elephant walk on stilts. Deep in tone and soul his tunes and a couple of covers, (most notably Monk's "Misterioso" with a super performance from Seattle's Richard Cole on sax),have solidity and assuredness, and yet seem casual and airy at the same time.... read more
Nothing unflattering can be said about Chicago-born and -based guitarist Peter Lerner's latest album, Continuation. The energy level is high, the charts admirable, the supporting cast exemplary. On the other hand, it would be hard to separate the enterprise from a veritable sea of rivals that dwell in a comparable groove. As there is nothing explicit with which to censure this earnest studio session, neither is there anything special to... read more
The members of Human Spirit ? a core unit of the many jazz musicians who have made Seattle and the Pacific Northwest their home ? are trumpeter/composer/producer Thomas Marriott, saxophonist Mark Taylor and drummer Matt Jorgensen. Their combined resumes includes 14 albums as leaders and dozens more as sidemen. For this release, they added guests Orrin Evans (piano) and Essiet Essiet (bass). The resulting quintet delivers an album dubbed the... read more
In the album notes of La Proxima, guitarist Corey Christiansen writes that his primary influence for this album was a desire to further explore African- and Cuban-inspired rhythm and groove. Christiansen was helped in this project by percussionist Michael Spiro, a fellow teacher at Indiana University's Jacobs School of Music, and bassist David Belove and drummer Colin Douglas, and together the quartet blend contemporary jazz and Afro-Cuban... read more
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