Browse some recent Origin Reviews.
Wellstone Conspiracy - Motives
by Dan McClenaghan, All About Jazz
This ensemble might have been labeled the Brent Jensen Quartet. They recorded One More Mile under the Idaho-based saxophonist's name. For their album Motives, however, they are calling themselves the Wellstone Conspiracy as they delve deeper into a melodic music that is steeped in the modern harmonic concepts of Herbie Hancock and Wayne Shorter.
The set opens with Jeff Johnson's grainy, guitar-like bass lines on the Jensen-penned "Bye Bye... read more
Geof Bradfield - melba!
by Martin Z. Kasdan Jr., LEO Weekly, Louisville
Saxophonist/composer Geof Bradfield enlisted his longtime employer, pianist Ryan Cohan, to play in his suite honoring Melba Liston. She was one of the first African-American women to make her name as a jazz instrumentalist (trombone) and arranger, associated over four decades with pianist Randy Weston, among many other projects. (Weston himself rightly praises Bradfield's work.) Bradfield tells Liston's story in musical movements,... read more
Upper Left Trio - Cycling
by Dan McClenaghan, All About Jazz
It's hard to put the finger on what makes for a successful piano trio set. Some of jazz's bona fide great keyboard players turn in less than inspired efforts, sets that just don't hold the listener's interest for the duration of an hour of music. It's probably the worst criticism that can be made of a recording - that it just doesn't hold interest. And the piano trio format can be particularly unforgiving.
And having said that, the other... read more
Hal Galper - Live at the Berlin Philharmonic, 1977
by Editor, BBC Music Magazine
5-STARS This two-disc release has come about as a result of Galper sifting through his archives a couple years ago. It was a session well worth rescuing. Although dating back 44 years, it recalls when Galper was already established as a highly-regarded player, almost part of the jazz-scene furniture and thus sometimes unfairly overlooked. This concert (plus one track recorded just a few months later in January 1978) finds him on... read more
Jessica Williams - Freedom Trane
by Dan McClenaghan, All About Jazz.com
Jessica Williams, one of our top jazz pianists, has evolved since she tossed the record company expectations and jazz games out the window into the thorny rose bushes, and sought out her own way, and found it, via the establishment of her own record label, Blue & Red Records, and with the work she has done for Seattle's Origin Records. Songs for a New Century (Origin Records, 2008), and her tribute discs exploring the works of pianists... read more
John Bishop - Nothing If Not Something
by Dick Crockett, Sacramento Radio
This formative, saxophone, bass and drums is always the most intriguing, giving ample space to all three contributors. Drummer John Bishop is the leader and it's his kinetic underscoring that keeps this music together. Other capables, as Rick Mandyck on saxophone and Jeff Johnson on bass add inventive vectors throughout, especially on "All Day Pass." Then "Orange Blossom" blends an aphrodisiac blend of Paul Desmond and an Oscar Pettiford ver... read more
Kim Richmond Ensemble - Live At Cafe Metropol
by George Fendel, Jazz Society of Oregon
Over a period of years, you may have spotted the name Kim Richmond in the personnel of many a big band. Now the alto maven presents a sextet that plays with gusto on "You Don't Know What Love Is," "Invitation," "Never Let Me Go," "The Peacocks" and a few cheeky originals. Richmond can be mellow one moment, strident the next. But his players will hold your... read more
Kelly Sill / Jim McNeely / Joel Spencer - Boneyard
by Tom Conrad, JazzTimes
Jim McNeely is best known as a composer-arranger for large jazz bands. On Boneyard, he applies the mindset of a big-band arranger to the minimalist format of the piano trio. He also gets space (rare in his discography) to display his considerable prowess as a fleet, sophisticated, percussively ornate pianist.
McNeely is able to approach this recording architecturally because he is so familiar with its building blocks. McNeely, bassist... read more
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